I’m often told ‘your colours are marvellous’ or words to that effect, and that’s lovely to hear as colour is incredibly important to me and I do work hard at it! I do have some specific methods I use to really get my colours to work whilst focussing on my designs, and I thought you’d like to hear a bit about my main one.
I’m sure many of you will have noticed that over the last few years you’ll see a run of pieces working through a similar colour theme being posted in sequence and may have wondered what I’m up to. This is a deliberate working method for me now – I focus on a set of colours for several months at a time, work them out, play with different combinations of finish, different juxtapositions, and get really comfortable with them. This saves time pulling and tidying beads, and allows me to focus on new designs without the endless distraction of playing with new colours and rooting around in drawers and drawers of beads.
This has become a standard working method for me of late and it started a while back when I used to pull sets of beads to take on holiday or for a large creative project. I pull a range of beads, threads, sequins, crystals, focals and basic supplies such as threads, findings and backing/foundation in a new set of colours. So for the seed beads that means a set of anything from three to many more colours in as many sizes as I have, plus corresponding delicas, then as standard I usually dig out whatever I have in 3mm and 4mm rounds, fire polisheds and bicones which gives me a really versatile working base. I’ll always add a complimentary metallic colour with matching findings, and then it’s time to rifle through my crystals, feature beads and growing collection of sequins. I’ll add drops (very useful) and then chuck in whatever I have in the right colours in shaped beads. If I have shrinkets or cabochons already made I’ll pull those out too or I’ll make more as I need them.
I’ll usually do some bead embroidery in one of these runs, but will grab foundation and backing as I need it, but I’ll get out the right shades of beading thread so I’m never tempted to use something less than ideal. These days I usually work with purls as well, so I’ll add smooth, pearl and textured purls, and if I’m also thinking of a hand embroidered piece, some linen, silk, tulle or organza and of course, stranded cottons, perles and treasured texture packs and hand dyed threads.
I can end up with anything from a small A5 box or bag to a big stack of A4 boxes, depending on how deep I want to go and how indecisive I’m feeling. So right now, I’ve deliberately picked a smaller set to work with, just beads, purls to complement a set of rainbow coated steel findings I want to work with. So far that’s just turned up one piece using a cab and set of shrink pieces I forgot I had made, but I’ve only been at it for a week. I’m already slightly off track as I didn’t use the rainbow findings yet but I’m quite happy nonetheless as can amble along trying out some ideas I have floating around without needing to root around for beads constantly. And when this is worked through, I’ll tidy them away and pull a new set.
My previous set was a box of beads the same size (A5) plus a similar size box of purls, findings and sequins and a bag of threads and fabrics – that lasted several months and resulted in these beaded pieces:
That set was inspired by a lovely yarn pack from Wild Floss Embroidery – ‘Sherbert Pastel’ colours on a dark teal base. I did an embroidered piece first, adding hand dyed threads from Hope Jacare and beads in similar colours, so once I’d completed the embroidery hoop I had a set of beads ready to go and had got the hang of how to use these colours – which aren’t my usual combo at all. As well as some pieces for myself (including the big embroidery hoop) some of the earrings are now available for sale in my Folksy Shop.
Looking back you’ll be able to see some other series of works which came about in a similar way – first some works which started with my big Egyptian piece for a Beadworker’s Guild Challenge a few years back and spawned several pieces:
And then my very long (over 6 month) pastel based marine inspired pieces – again coming from a winning Beadworker’s Guild Challenge piece ‘Where Corals Lie’.