Selling on Folksy

Did you know that I actually sell some of my finished beadwork and embroideries?

I have a little shop on the UK site Folksy with earrings, a couple of necklaces and some of my embroidered mini hoops – you can view it here. The range is deliberately small to keep it fresh and current, but I also run commissioned work through Folksy, so if you see something you like there or on my social media do feel free to contact me and request custom colours etc.

Folksy is a bit like Etsy but much smaller. They’re deliberately fussier about handmade only and it’s a sensible, easy to browse size as it is just for UK makers (although I can of course still ship worldwide from there). Best of all it has a small, caring, supportive and innovative management team and has a wonderful community of friendly makers which I love. That community take an active interest in promoting the site, spotting non-handmade shops and supporting other sellers with advice and help through the forums and Facebook group. The management team support makers with advice and help, and consult about improvements – Doug the IT guy is legend, and Camilla and her colleagues are experienced makers themselves who constantly feed us useful advice about selling and running our handmade businesses. They actively curate really lovely gift guides, themes of the day and highlight interesting pieces, and run a fascinating blog with ‘makers of the week’ (I was one back in 2014 – read the posts here – very out of date but fun to look back at where I came from).

I’ve been selling there for more years than I care to mention and it’s a lovely place to sell and shop for beautiful handmade items. I’ll probably always have my Etsy shop for supplies and tutorials but it’s very hard to be seen as a maker rather than a supplier there as it’s simply so huge and geographically diverse, so I find Folksy suits me really well for finished items.

Pop over and have a look at my works there using the link below, and do take time to browse some of the other lovely shops too. I’ve listed a few of my favourites below:

https://folksy.com/shops/somanybeads

Susie West – stunning ‘travel posters’ – we have three of these already and are trying to collect one for everywhere we have lived (we have a little way to go!).

Claire Gent – amazing aluminium and silver jewellery. I’ve lusted after Claire’s work for years!

Holme & Moss – I’ve got one of their classic hairbands in my basket at the moment.

Eynonymous – I have a beautiful yellow silk hairband from Eddie which I wear a lot – she designs and prints beautiful textiles.

Clare Lloyd – modern polymer clay and silver jewellery.

Tanith Rouse – eye-catching contemporary coloured aluminium jewellery.

Jenny Newall – gorgeous stained glass birds and super cute egg earrings.

Sue Trevor – contemporary machine embroidery and fabric sculptures – I’ve bought lots of Sue’s work as gifts for the textile lovers in my family.

The Whimsical Marbler – lovely marbled papers, some in great bright colours for a more modern take.

Clare Buchanan – really eye-catching bright wovens.

Working with Colour

I’m often told ‘your colours are marvellous’ or words to that effect, and that’s lovely to hear as colour is incredibly important to me and I do work hard at it! I do have some specific methods I use to really get my colours to work whilst focussing on my designs, and I thought you’d like to hear a bit about my main one.

I’m sure many of you will have noticed that over the last few years you’ll see a run of pieces working through a similar colour theme being posted in sequence and may have wondered what I’m up to. This is a deliberate working method for me now – I focus on a set of colours for several months at a time, work them out, play with different combinations of finish, different juxtapositions, and get really comfortable with them. This saves time pulling and tidying beads, and allows me to focus on new designs without the endless distraction of playing with new colours and rooting around in drawers and drawers of beads.

This has become a standard working method for me of late and it started a while back when I used to pull sets of beads to take on holiday or for a large creative project. I pull a range of beads, threads, sequins, crystals, focals and basic supplies such as threads, findings and backing/foundation in a new set of colours. So for the seed beads that means a set of anything from three to many more colours in as many sizes as I have, plus corresponding delicas, then as standard I usually dig out whatever I have in 3mm and 4mm rounds, fire polisheds and bicones which gives me a really versatile working base. I’ll always add a complimentary metallic colour with matching findings, and then it’s time to rifle through my crystals, feature beads and growing collection of sequins. I’ll add drops (very useful) and then chuck in whatever I have in the right colours in shaped beads. If I have shrinkets or cabochons already made I’ll pull those out too or I’ll make more as I need them.

I’ll usually do some bead embroidery in one of these runs, but will grab foundation and backing as I need it, but I’ll get out the right shades of beading thread so I’m never tempted to use something less than ideal. These days I usually work with purls as well, so I’ll add smooth, pearl and textured purls, and if I’m also thinking of a hand embroidered piece, some linen, silk, tulle or organza and of course, stranded cottons, perles and treasured texture packs and hand dyed threads.

I can end up with anything from a small A5 box or bag to a big stack of A4 boxes, depending on how deep I want to go and how indecisive I’m feeling. So right now, I’ve deliberately picked a smaller set to work with, just beads, purls to complement a set of rainbow coated steel findings I want to work with. So far that’s just turned up one piece using a cab and set of shrink pieces I forgot I had made, but I’ve only been at it for a week. I’m already slightly off track as I didn’t use the rainbow findings yet but I’m quite happy nonetheless as can amble along trying out some ideas I have floating around without needing to root around for beads constantly. And when this is worked through, I’ll tidy them away and pull a new set.

My previous set was a box of beads the same size (A5) plus a similar size box of purls, findings and sequins and a bag of threads and fabrics – that lasted several months and resulted in these beaded pieces:

That set was inspired by a lovely yarn pack from Wild Floss Embroidery – ‘Sherbert Pastel’ colours on a dark teal base. I did an embroidered piece first, adding hand dyed threads from Hope Jacare and beads in similar colours, so once I’d completed the embroidery hoop I had a set of beads ready to go and had got the hang of how to use these colours – which aren’t my usual combo at all. As well as some pieces for myself (including the big embroidery hoop) some of the earrings are now available for sale in my Folksy Shop.

Looking back you’ll be able to see some other series of works which came about in a similar way – first some works which started with my big Egyptian piece for a Beadworker’s Guild Challenge a few years back and spawned several pieces:

And then my very long (over 6 month) pastel based marine inspired pieces – again coming from a winning Beadworker’s Guild Challenge piece ‘Where Corals Lie’.

International Beading Week

International Beading Week starts tomorrow (24th July) and runs until August 1st, and as a Guest Ambassador, member of the Beadworker’s Guild Social Media Team and all around IBW fan I’ve been busy getting ready.

As you know I’ve donated a chart which you can find on the IBW site or in my Free Charts section, and from 25th July until 1st August I will be offering 20% off all tutorials in my Etsy shop (no code needed, tutorials only, please note that this doesn’t start until tomorrow – 24th July).

I should say now that we’ll be taking a much needed holiday though for bulk of the week, so I’ll be closing my shops for everything other than those digital download tutorials (which run happily without me needing to post stuff), but fret not, the beads, cabochons, crystals and goldwork wires will be back on August 9th. During that time I will still be beading, as it’s time for Jean Power’s Secret Beadalong, so watch my social media to see how I’m getting on.

Whilst you’re there, why not join the IBW Facebook group, or have a look at the IBW Facebook Page and the lovely Beadworker’s Guild Instagram account and see what we’ve been working so hard on behind the scenes. This year we have a theme for International Beading Week (IBW) to celebrate the positive mental health impacts that beading has with the tagline: ‘HANGING IN THERE’. We will have daily prompts to help you get involved on social media and throughout the week we will be sharing tips, ideas, free patterns and beaders’ stories on our channels – and we would love to read your stories too!

Please help us spread the word about beading by tagging the Beadworkers Guild in all of your social media posts and use the hashtag #beadingweek.

International Beading Week

As part of the IBW social media team  for several years it’s lovely to be able to show my support as a designer as well by becoming an IBW Ambassador. Beading along with others is such a pleasure, whether it’s done in person or remotely, and I’m looking forward to seeing the results all of the events and activities the IBW/Beadworker’s Guild team work so hard behind the scenes to prepare for you every year.    This year’s International Beading Week runs from July 24th – August 1st, and as well as working away with my lovely colleagues on the Guild’s Social Media team I’ll of course be beading along with the wonderful annual Jean Power Summer Secret Beadalong.

As an Ambassador I’m proud to donate a design (or two or hopefully when I have time, three) to the event – here is the first one, a charted brick stitch and fringe piece which is available as a free PDF here. It’s also available via the IBW section of the Beadworker’s Guild website alongside many other wonderful free patterns from other Ambassadors and Beaders – have a look at the amazing selection.

This piece can be adapted to change the length, colours or overall use but at its’ core is the 12 colour spectrum of the IBW logo and a rainbow. The rainbow has come to mean a lot symbolically in the UK over the last year or so, so seemed an appropriate choice, although making curves out of things which want to run straight was a challenge – quite a few rejected versions here:

It’s also worth saying that this chart was created with Beadographer, which is a wonderful new chart/design tool. Prior to starting using this I’d never really got on with charted designs because I found the planning process inhibiting creatively. However I’m sure you can see from my recent work that Beadographer has allowed me to overcome that bias and I’m now embracing charting with the tool on my laptop (or even better on my iPad with an Apple Pencil) as an alternative way of creating with beads, so thank you to Leah and William for a super, very easy to use creative tool.

Back to Nature

I’m please to be able to introduce ‘Back to Nature’, my entry in the ‘Previous Winner’s class of the Beadworkers Guild Annual Challenge 2020/21, and very happy to say that once again, I won.

The theme this year was ‘Save the Planet – Bead it Don’t Bin It’ and this was my Artist’s statement (which we send with our entries and is the only context we can supply to the judges):

‘Inspired by the layers and structure of soil profiles, this box explores the idea of nature taking over again, burying mankind’s waste and rubbish under layers of soil, moss and lichens.  Salvaged circuit boards surrounded by the digital bytes of beadwoven delicas, are slowly being covered by layers of soil –  beads, threads, pearls, reclaimed watch parts and recycled sequins. On the surface, embroidered and beaded mosses are cut through by Kintsugi repairs of bent and damaged scraps of leftover goldwork wires.  Bursting down into the soil below,  the gold brings new life and destroys what we’ve left behind. ‘ 

That’s the ‘public’ face of the piece, in reality it’s simply a really lovely embroidered fully hand made box, made by me over several months using only items from my stash, waste from my shop and household computer and packaging waste, and just about every technique I knew, could learn or could make up. I’ll try and get a blog post together in the next couple of days to tell you a little more here about how it came about.

Secret Beadalong Day 8

With just a few days left of International Beading week as well as looking after my Etsy shop with a lovely 20% discount on all tutorials, I’m as usual doing Jean Power’s Secret Beadalong – Day 8 joins the pairs of rivolis together but leaves some mysterious gaps? One more day to go and I’m starting to have an idea of where we’re going but still not sure!

If you’d like to join in it’s not too late – pop over to Jean’s website and sign up! If you just want to watch then you can see what we are all up to on her Secret Beadalong Facebook page.

Secret Beadalong Day 7

As usual for International Beading Week I’m doing Jean Power’s Secret Beadalong – Day 7 completes the skirt on the lovely Bermuda Blue dome crystal and adds a long strap. Lots and lots of herringbone in 15s…….

If you’d like to join in it’s not too late – pop over to Jean’s website and sign up! If you just want to watch then you can see what we are all up to on her Secret Beadalong Facebook page.

Secret Beadalong Day 6

As usual for International Beading Week I’m doing Jean Power’s Secret Beadalong – Day 6 is quite a substantial bead, adding a skirt to the domed stone’s bezel. I’m working in the stripes I used in the bezel so there is a lot of bead swapping but I love how it looks.

If you’d like to join in it’s not too late – pop over to Jean’s website and sign up! If you just want to watch then you can see what we are all up to on her Secret Beadalong Facebook page.

Secret Beadalong Day 5

As usual for International Beading Week I’m doing Jean Power’s Secret Beadalong – Day 5 is adding some bicones to one of the rivolis we bezelled in the prep work as we did on Days 2 & 3 with pearls (you can see my prep work and colour choices in my previous post here), but as I said yesterday I’m playing with 4mm fire polished beads instead. The image today looks very like yesterday – the crystals have the same base Royal Red lacquer but yesterday’s one also has the additional DeLite coating, which gives it blue flashes which are only just visible in the photo. In real life it’s a really strong, visible finish though so they look really different.

If you’d like to join in it’s not too late – pop over to Jean’s website and sign up! If you just want to watch then you can see what we are all up to on her Secret Beadalong Facebook page.

Secret Beadalong Day 4

As usual for International Beading Week I’m doing Jean Power’s Secret Beadalong – Day 4 is adding some bicones to one of the rivolis we bezelled in the prep work as we did on Days 2 & 3 with pearls (you can see my prep work and colour choices in my previous post here). I don’t have any bicones which I want to use for this so I’m experimenting with using 4mm Fire Polished in a red lacquer finish and so far so good! They actually sit slightly better than the pearls as they are slightly narrower than they are long rather than being a perfect round.

If you’d like to join in it’s not too late – pop over to Jean’s website and sign up! If you just want to watch then you can see what we are all up to on her Secret Beadalong Facebook page.