International Beading Week

International Beading Week starts tomorrow (24th July) and runs until August 1st, and as a Guest Ambassador, member of the Beadworker’s Guild Social Media Team and all around IBW fan I’ve been busy getting ready.

As you know I’ve donated a chart which you can find on the IBW site or in my Free Charts section, and from 25th July until 1st August I will be offering 20% off all tutorials in my Etsy shop (no code needed, tutorials only, please note that this doesn’t start until tomorrow – 24th July).

I should say now that we’ll be taking a much needed holiday though for bulk of the week, so I’ll be closing my shops for everything other than those digital download tutorials (which run happily without me needing to post stuff), but fret not, the beads, cabochons, crystals and goldwork wires will be back on August 9th. During that time I will still be beading, as it’s time for Jean Power’s Secret Beadalong, so watch my social media to see how I’m getting on.

Whilst you’re there, why not join the IBW Facebook group, or have a look at the IBW Facebook Page and the lovely Beadworker’s Guild Instagram account and see what we’ve been working so hard on behind the scenes. This year we have a theme for International Beading Week (IBW) to celebrate the positive mental health impacts that beading has with the tagline: ‘HANGING IN THERE’. We will have daily prompts to help you get involved on social media and throughout the week we will be sharing tips, ideas, free patterns and beaders’ stories on our channels – and we would love to read your stories too!

Please help us spread the word about beading by tagging the Beadworkers Guild in all of your social media posts and use the hashtag #beadingweek.

International Beading Week

As part of the IBW social media team  for several years it’s lovely to be able to show my support as a designer as well by becoming an IBW Ambassador. Beading along with others is such a pleasure, whether it’s done in person or remotely, and I’m looking forward to seeing the results all of the events and activities the IBW/Beadworker’s Guild team work so hard behind the scenes to prepare for you every year.    This year’s International Beading Week runs from July 24th – August 1st, and as well as working away with my lovely colleagues on the Guild’s Social Media team I’ll of course be beading along with the wonderful annual Jean Power Summer Secret Beadalong.

As an Ambassador I’m proud to donate a design (or two or hopefully when I have time, three) to the event – here is the first one, a charted brick stitch and fringe piece which is available as a free PDF here. It’s also available via the IBW section of the Beadworker’s Guild website alongside many other wonderful free patterns from other Ambassadors and Beaders – have a look at the amazing selection.

This piece can be adapted to change the length, colours or overall use but at its’ core is the 12 colour spectrum of the IBW logo and a rainbow. The rainbow has come to mean a lot symbolically in the UK over the last year or so, so seemed an appropriate choice, although making curves out of things which want to run straight was a challenge – quite a few rejected versions here:

It’s also worth saying that this chart was created with Beadographer, which is a wonderful new chart/design tool. Prior to starting using this I’d never really got on with charted designs because I found the planning process inhibiting creatively. However I’m sure you can see from my recent work that Beadographer has allowed me to overcome that bias and I’m now embracing charting with the tool on my laptop (or even better on my iPad with an Apple Pencil) as an alternative way of creating with beads, so thank you to Leah and William for a super, very easy to use creative tool.

Back to Nature

I’m please to be able to introduce ‘Back to Nature’, my entry in the ‘Previous Winner’s class of the Beadworkers Guild Annual Challenge 2020/21, and very happy to say that once again, I won.

The theme this year was ‘Save the Planet – Bead it Don’t Bin It’ and this was my Artist’s statement (which we send with our entries and is the only context we can supply to the judges):

‘Inspired by the layers and structure of soil profiles, this box explores the idea of nature taking over again, burying mankind’s waste and rubbish under layers of soil, moss and lichens.  Salvaged circuit boards surrounded by the digital bytes of beadwoven delicas, are slowly being covered by layers of soil –  beads, threads, pearls, reclaimed watch parts and recycled sequins. On the surface, embroidered and beaded mosses are cut through by Kintsugi repairs of bent and damaged scraps of leftover goldwork wires.  Bursting down into the soil below,  the gold brings new life and destroys what we’ve left behind. ‘ 

That’s the ‘public’ face of the piece, in reality it’s simply a really lovely embroidered fully hand made box, made by me over several months using only items from my stash, waste from my shop and household computer and packaging waste, and just about every technique I knew, could learn or could make up. I’ll try and get a blog post together in the next couple of days to tell you a little more here about how it came about.

Johnson Solids Project

Last year the wonderful geometric beader Diane Fitzgerald began a community project called ‘The Johnson Solids Project’. It was a call to beaders internationally to join in making the 92 Johnson Solids out of flat peyote shapes.

Hexagons and triangles

Johnson Solids are three-dimensional shapes assembled from triangles,
squares, pentagons, hexagons, octagons and decagons. You can read more about them here. As beaders we’re used to working with their cousins, the Platonic solids, and sometimes also the Archimedean solids, but expanding into the Johnson solids gives us some great new shapes to work with.

I wasn’t quick enough off the mark to get in on Diane’s first series, so when Sylvia Fairhurst and Patricia Verrier started a UK version I applied as quickly as I could, and was able to choose number 48, a ‘ Gyroelongated pentagonal birotunda‘. I chose this one because I wanted to challenge myself with one of the larger solids, but fancied trying one which resembled a shape I might want to remake – this one is kind of an egg shape. It’s also made of just triangles and pentagons and they’re two nice simple shapes to make in peyote.

As with the original project the organisers specified that we should all use a set delica colour (22L) which is a bronze lustre for our increases -this gave me a bit of a challenge because it didn’t really work with my normal bright palettes, but I had a lot of creams and shell colours out to work on my sea pieces last year, so pulled a pale peach and a cream to use for the rest of each of the two shapes I’d need to make, which looked lovely next to the bronze and got making.

Triangles in progress….

We all used Diane’s standard flat shapes (which are available from her Etsy shop, or if you can get it they are all found in her seminal book, Shaped Beadwork). My shape needed 40 triangles and 12 pentagons, and I chose to assemble the net as I worked (so each piece was attached in place before the next was made) – this was largely because I hate having stacks of components with loose threads waiting to be attached together, and it also helped me to ensure that I added the correct extra join beads – it’s much easier to spot errors in those if you’re joining as you go. If I’d been making this for myself I’d also have formed the overall shape as I worked, but because we wanted to have a collection of images of the flat nets before assembly, I made the net, which was actually nice as it gives a lovely view of the structure of the shape.

Johnson Solid No.48 – Net

So here it is – I finished it in plenty of time and sent it off to Sylvia last summer – the deadline was January 2021 so hopefully soon we’ll see the UK results. The last picture Sylvia posted of the collection so far looked amazing, and the images of the full string Diane has made of the US/International version are incredible.

If you’d like to learn more about the project there is a public Facebook group here.

Sunstar – Liberty Print

I was checking through my materials pack stock the other day and I remembered I had a spare Sunstar in yellow put aside for myself. The grey weather made me yearn for something cheerful and as it’s a lovely evening’s worth of beading (OK I do bead quite quickly and I’ve made a lot of these previously), I thought I’d curl up and make it.

Here it is – definitely cheerful!

Sunstar in Yellow Liberty Print

I still have some of these packs left, and some in different Liberty Print colourways in my Etsy Shop, and if you’d like to make your own with or without a pack the tutorial is here. If you’re not ready for florals yet this year, then I also have versions using my own hand painted cabochons and etched daggers here.

As with my packs I’ve used a combined brooch and pendant bail so I’ll be able to wear this as a brooch on more structured garments, or add a silk string to wear as a pendant and take my own bit of sunshine along with me. The bails are from the lovely Stitch N Craft beads – they’re included in my packs or you can of course buy direct from them. I use them on most big or heavy pendant pieces now as they actually give the firmest mount for a bail as well as the versatility of the brooch option.

I enjoyed making this so much I might steal another pack – I try to do as many colourways as I can mainly because I love putting the combinations together, but that does mean I’ve not always actually beaded every colourway (just spent ages trying different combinations of beads, backings and cabs). Which shall I pick…..?

Green Squidy

Thank you to all of the beaders who purchased the limited edition Blue Squidy component packs. Sadly they are now all gone and it looks like I can’t get the cabs again, so they’re even more unique than promised!

Fret not though, for now we have new Green and everso slightly bigger Squidy – gorgeous dyed agate cabs (once again you can select your own cab from the list), a new colourway of lovely Hope Jacare hand dyed silk ribbons, and superlush lime lacquer Swarovski chaton eyes, with matching goldwork wires and backings, so he’ll be even livelier than my sample (which has blue zircon eyes). These cabs are a teeny bit wider round the middle than the original cabs (although they claim to be the same size) so you’ll also get a revised paper template so you don’t run out of space for the beads!

Green Component Pack

I had two cabs from the blue batch left which were probably not bought because they’re a bit paler than the rest so didn’t work as well with the strong blues. I’ve now paired them with new ribbons in softer colours, using a different set for each cab so these two colourways are genuinely unique and can’t be repeated. One makes the most of the lovely soft heather colours which Clare at Hope Jacre is so good at, and the other has mossier blues and greens with hints of peach and lilac. Yummy – please buy them before I’m tempted to steal them for myself!

As with the previous component packs these just include the hard to find elements – you’ll need to add your own beads. Have a look here to see the exact requirements for beads, you’re sure to have them in your stash already, and you only need a tiny quantity of each, and can mix and match as you please. You will also need to purchase the tutorial. If you’re after the wires needed, then you’ll be happy to know I now also sell these in my Etsy shop too!

Where Corals Lie

This trio of boxes were inspired by a beautiful poem by Richard Garnett, set to song by Elgar in his song cycle ‘Sea Pictures’. They were my entry in the Previous Winners category of this year’s Beadworker’s Guild Annual Challenge. The theme this year was ‘Fantasy’ and I’m happy to say that they won their class.

When I get some time I’ll tell you more about how I made them, and hopefully show some better pictures (these were taken in a tearing hurry one morning just before lockdown as I rushed to get them packed and sent before it became impossible) but for now here is the artist’s statement I submitted with the work to the judges, along with the text of the poem. To really understand though how as a singer Elgar‘s wonderful song inspired me to bead them, I’d recommend listening to it here.

A rose gold ship in the shallows betwixt shore and deep is joined by almost invisible sirens, whilst alongside a whale comes up from the depths to greet her ethereal friends, and the coral filled shallows are dotted with hidden holes for a mermaid’s treasures.

Techniques – bead embroidery, peyote, goldwork embroidery.

Materials – Miyuki and Czech beads; Swarovski crystals and pearls; vintage, new & hand cut sequins; goldwork wires; found coral; acrylic rods; hard felt; bentwood boxes.

Where Corals Lie – Richard Garnett

The deeps have music soft and low

When winds awake the airy spry,

It lures me, lures me on to go

And see the land where corals lie.

The land, the land, where corals lie.

By mount and mead, by lawn and rill,

When night is deep, and moon is high,

That music seeks and finds me still,

And tells me where the corals lie.

And tells me where the corals lie.

Yes, press my eyelids close, ’tis well,

Yes, press my eyelids close, ’tis well,

But far the rapid fancies fly

To rolling worlds of wave and shell,

And all the land where corals lie.

Thy lips are like a sunset glow,

Thy smile is like a morning sky,

Yet leave me, leave me, let me go

And see the land where corals lie.

The land, the land, where corals lie.

Shrinking

I have a new addiction.  Don’t worry, it’s still bead related, I haven’t lost the plot.

A few months back Marcia DeCoster and other American beaders started sharing pictures of work they were doing with shrink plastic – specifically with Shrinkets, and this work was quite interesting.  Quite interesting because the Shrinkets brand is run by the lovely Julie Isaacs Haymaker, and she’s a shrink genius.  She’s a master of decoration and techniques, and on top of that has developed a series of moulds which can be used to shape the shrink whilst it’s hot – curving, doming, fluting and generally making what to me had been a flat medium more enticing. 

I watched this from afar, not quite able to justify the cost of shipping Julie’s mould sets from the US to the UK, and then a lovely thing happened.  Super bead emporium Stitch n Craft starting selling them – well it was fate, I had to have some.  I bought moulds and pre-cuts, joined Julie’s Shrinkets Facebook group and started reading and playing.

Initially I stuck to the methods I saw most in the group – coloured pencil ‘doodles’.  Then I started using more naturalistic techniques, shading and blending.  Each batch was different, but great fun to do.

Some point after batch 2 I realised I wasn’t going to be able to afford to only use Julie’s pre-cuts (plus Stitch and Craft kept selling out), so I bought a little Sizzix Sidekick die cutter, and scoured the internet for interesting Thinlits dies.  It’s quite tricky to get ones which are under the  6cm Sidekick plate size, but still big enough to be worth drawing on and shrinking, but I’ve got a decent selection now, so you can see more shapes from Batch 3 onwards.  And I bought more coloured pencils – you need a good quality wax based pencil and I’m getting on really well with a set from Faber Castell, and like a true shrink pro and stationary addict I made a sample sheet on paper and on shrink (also with test holes and measurements so I can get the sizing right):

Then came a much needed break away for our summer holidays – not the holidays we had planned, but under the current circumstances still lovely.  Coming back fresh, and finally getting the boys back to school and getting a little time to myself, I started trying some new techniques – helped by other group members who share so freely their knowledge.  I tried more abstract designs, worked with circles instead of flowers, made rings and little cups.


I had some acrylic inks, and had used them to create a mottled plain base colour which I then embellished after shrinking with embossing powders.  Then wondered if I could be more ‘painterly’ – grabbed a brush and painted, cut and shrank an abstract batch:

I played with some cheap alcohol inks – making blotchy designs and then augmenting them with pen and pencil doodles using a technique shared in the group by Kim van Antwerp (who sells amazing Shrinkets components here).

And that’s where I am now, and I think where I will stay for a bit.  I’ve made a lot of shrunk beads, and learnt a lot, but finally this week I got to the point where I wanted to bead something with them.  I bought an amazing petri resin cabochon from Designer Cabochons, and it arrived just as I shrank the first alcohol ink batch.  So I did another batch specifically to match the cab, then made them all into a bead embroidered pendant, and I love it. 

If you’d like to learn more about working with Shrinkets, please do look at Julie’s amazing website, or join the Facebook group here. And do ask me about the techniques and materials I’ve used in the comments.

Secret Beadalong Day 8

With just a few days left of International Beading week as well as looking after my Etsy shop with a lovely 20% discount on all tutorials, I’m as usual doing Jean Power’s Secret Beadalong – Day 8 joins the pairs of rivolis together but leaves some mysterious gaps? One more day to go and I’m starting to have an idea of where we’re going but still not sure!

If you’d like to join in it’s not too late – pop over to Jean’s website and sign up! If you just want to watch then you can see what we are all up to on her Secret Beadalong Facebook page.

Secret Beadalong Day 7

As usual for International Beading Week I’m doing Jean Power’s Secret Beadalong – Day 7 completes the skirt on the lovely Bermuda Blue dome crystal and adds a long strap. Lots and lots of herringbone in 15s…….

If you’d like to join in it’s not too late – pop over to Jean’s website and sign up! If you just want to watch then you can see what we are all up to on her Secret Beadalong Facebook page.