I may not do Black Friday or Cyber Monday but I do like to try to offer a discount on my Tutorials in December as a seasonal gift to my lovely customers around the world.
Please note that this only applies to Tutorials, but hopefully that will still keep most of you happy. So, 10% off all Tutorials in my Etsy & PayHip shops throughout December, links below, discount automatically applied at checkout.
Thank you!
OK, I did another one – I skipped a day or so earlier in the week so catching up now! This is nearly the last (I’ve finished one more this afternoon and then I have plans for a completely bonkers one as a final hurrah), and I’ve kept it quite simple whilst trying to include some new touches to keep the experimental spirit going. If you’re at the Bead Embroidery Zoom tomorrow (Saturday) morning you might get to see how that’s progressing when I walk you through some of my work.
As you may have noticed I bought some sheets of metallic pleather recently so I’ve gone back to those for the base and backing here. Nice and simple – here are the steps and the template and stitch guides are as ever in with the new for 2023 IBW patterns on the Guild website.
1) Black hard felt foundation, rainbow metallic heart (cut from the purple/blue area).
2) Ribbon is white ultrasuede with back stitched DMC stranded cotton letters. I did many of the banners in a batch earlier in the week working on a frame, this was an early one and I think the stem stitched ones I’ve used on other pieces were better.
3) 1.25mm black pearl purl around the ribbon and heart.
4) Seeded tiny flower sequins and size 11 and 8 seeds in diagonal bands for simplicity, all with the seeds as stop beads. The pleather makes enough of a statement so I just wanted to get the feeling of a scatter of flowers across it.
5) Backed in the metallic pleather, with an edging of black 11 seeds, then round again to add the 15 seeds as a mini picot edge for a bit of frilliness (and because I’d only used plain edging until this point).
Really nice and quick to make, and I think quite pretty. Looks even better in the flesh because of the shine from the metallic finish.
I hope everyone is having a wonderful IBW – I’m certainly enjoying making time to focus on beading. As you know I’m working using my donated ‘exploration’ PDF – a template and set of stitch instructions and ideas for a bead embroidered ‘I Heart Beads’ brooch, and every day or so I’m sharing the results. It’s kind of a week of making samples.
Today I’ve stuck with the heavily beaded style I shared yesterday, but if I’m honest I don’t think this one is as successful. I think it’s probably missing the flat 3 & 4mm sequins I love to use so much – I didn’t have them in the right shade and I wanted to stick with beads as a test. I think some of the bead groupings are also too numerous – this is after all quite a small piece so I need to probably stick to groups of 3, 5 or 7 of anything bigger than an 11. On the other hand I’m still keen on the stem stitched letters (with serifs!) and going back to the cup chain and a beaded sunshine edge worked (the eagle eyed amongst you will notice I didn’t put a black edging on the heart prior to that edging, which was a change and looks fine).
Steps were:
1) Black foundation, purple heart (both hard felt) and white ultrasuede ribbon with stem stitched letters (3 strands DMC). Ribbon edged with couched 2mm Black cup chain from my Etsy shop. No black edging round the heart at this stage.
2) Stacked cup beads, 4mm and 3mm rounds and FPs. Seeded Rizos, and 3.4mm drops (I didn’t have any 2.8mm which I missed – I like using both sizes together). I used to many drops together so I popped a couple of teeny flowers on to break them up (made from shrinkets coloured with acrylic inks).
3) Black ultrasuede backing, then a simple black 11 seed sunshine (brick stitch) edge.
So overall good, but not as good as the red one. I’ll get the sequins back out for the next one – lesson learnt. If you’d like to see what I’m up to or look at the other kindly donated patterns then they are all on the @beadworkers website in the #InternationalBeadingWeek section here – https://beadworkersguild.com/free-patterns/
Yesterday’s Barbie version of my ‘I Heart Beads’ brooch may have been a big pink failure, but hopefully today you can see I took what I learnt, made some slightly different decisions and came up with something which is very me and actually works! Whilst the pre-Barbie versions were light on beads, this one brings me back to the heavily encrusted style I usually work with and I was relieved to be able to use it. So, here’s what I did:
1) Back to ultrasuede for the ribbon, and stem stitched letters with 2 strands of black DMC cotton.
2) Red hard felt heart on another piece of black hard felt. No padding. Both heart and ribbon outlined with couched 1.25mm black pearl purl.
3) Beads added with stacking (cup beads on varying height 11 seed stalks, sequins sandwiched with seeds for height and texture, size 8 seeds stacked singly). All with size 15 seed stop beads.
4) Other beads added with seeding – rizos, small czech drops, miyuki 2.8 & 3.4mm drops, and 11 seeds.
Those two combinations allowed me to vary the finished heights for interest and texture – work as if you’re contouring a landscape, with gradual transitions between the higher and lower patches using either the stacking on stalks of fringe or varying sizes of bead.
5) Finally backed on black ultrasuede and finished by couching black 1.25mm pearl purl onto the edge to hide the layers. I’d tried using seed beads but it looked too busy.
So the big lesson today was about getting some balance back – I pared back the black and white elements as far as they could go, and then went wild with the beads. A success!
The trouble with undertaking to publish every version of my ‘I Heart Beads’ IBW project here is that I have to show you the ones which didn’t work. Whilst that’s rather embarrassing for me I guess it’s an important principle to help us all remember that not everything we attempt comes out how we envisioned, but we still learn from trying. So, with a deep breath and some embarrassment (and amusement) I have to tell you that the promised Barbie version totally failed! I made a number of very bad decisions which I hope sharing here will stop you from repeating……….
1) I used a very stiff iridescent plastic fabric for the ribbon. Pretty, but hard to work with, and extra hard to write on with 1mm pearl purl. That might have worked on my usual ultrasuede but not on this stuff, particularly as all needle piercings left a visible hole. I need more practice with materials like this.
2) The ribbon somehow ended up about 1mm too far to the right and 3mm too far up, which has really significantly upset the balance. A silly mistake, and I should have realised as I was working.
3) I attempted to hide the mess with crystal lochrosen in a kind of ‘bubble’ effect which made it look even messier.
4) Something is wrong with the beading too – too many pink rizos, not enough sequins, the groupings are too small on the top section and I probably shouldn’t have bothered with the blue cup beads. What a mess.
5) The black cup chain, which worked really well on the previous versions now looks messy with the heavier beading. I should have gone with pearl purl to pull it back and give cleaner lines to balance it.
6) And finally the pink smooth purl I looped is the wrong shade – daft given the number of shades of pink I stock. Matching an iridescent fabric is tough and what worked in daylight doesn’t work in artificial light.
But all is not lost – I won’t be finishing this one, but I’ve learnt a lot, and I can frog it and re-use the beads and cup chain. And the even better news is that the one I made before I got sidetracked by #barbiecore actually worked, so I’ll show you that later!
Hello again, here’s my second version of my ‘I Heart Beads’ brooch. I’ve gifted the template and stitch instructions to IBW, but rather than just one final version I’m going to try lots of different combinations of stitches and materials over IBW to show you all how versatile bead embroidery can be and encourage you to experiment (and if that experiment looks like mine that’s fine).
Anyway, this one is quite similar to the first one, with a few tweaks of course. Here are the key steps/ingredients:
1 – Black foundation again (hard felt) with a single layer of felt padding (heart shape 3mm smaller than template), followed by a metallic/iridescent artificial leather.
2 – White ultrasuede with ‘beads’ couched on using metallic DMC embroidery thread. I worked this on a larger sheet on an embroidery frame (I did several at once) and switched to thread as I hadn’t got the accuracy I wanted in my 15 seed backstitch yesterday. It’s better but this thread is a pain to work with and I guess I miss it actually being beads, so I’ll try some other options. The ribbon is again surrounded and attached to the main piece with couched down 2mm cup chain from my Etsy shop.
3 – The heart was also surrounded with couched down 3mm fuchsia cup chain, and I then used stacking to add some clusters of jewel coloured flower beads, with a tiny blue 15 seed as the stop bead, putting the central one on a stalk of size 8 seeds to add height.
4 – Metallic leather again as a backing, plus the brooch back, then used a cross between couching and a brick stitch edge to join the layers and capture a 1.25mm Pearl Purl on the edge. I did try a sunshine (brick stitch) edge in size 11 black seeds but it was too much next to the cup chain, but unfortunately I don’t think the final edge has enough black to get the tattoo look.
Verdict – great quick technique for a fun and flashy piece but considering the theme, definitely not enough beads on it! Also I promised something ‘Barbie’ and this doesn’t take it far enough (needs more pink!). Tomorrow I will be sure to go all in on the beady and Barbie front……
PS if you’d like to try this or the other gifted patterns they’re here on the @beadworkers website https://beadworkersguild.com/free-patterns/
One of the great things about International Beading Week are the gifted patterns from a huge range of designers, beaders and of course the IBW Ambassadors. My gift this year is a little unusual in that it is more of a guide than a set of instructions – I’ve given a template and some detailed bead embroidery stitch guides, but not a ‘put this bead here’ step by step process. Instead I want beaders to embrace the freedom that bead embroidery can give you and strike out on your own – and I’m going to be doing the same, beading as many of the design as I can bear over the week, then posting right here to describe how I did it each time.
So here’s the first one and the steps to create it (refer to the tutorial for how to’s on stitches etc):
1) Black foundation, then three layers of red soft felt (3mm smaller than the template or previous layer each time) stitched in place. Silk velvet cut into the heart shape stab stitched around edge.
2) White Ultrasuede ribbon, held in place by couching on black 2mm cup chain. ‘Beads’ lettering added by backstitching 15 seeds.
3) Small selection of beads, bicones and lochrosen (crystal sequins) added using stacking and seeding (see tutorial).
4) Brooch back and black ultrasuede foundation added, then a simple ‘sunshine’ beaded edge (all included in the tutorial).
Learns – well if I’m honest the lettering is a bit messy, I’m not sure that I can face using beads for this step again! And the velvet is a bit messy round the edges – overall I don’t think this has the impact I was looking for yet – perhaps it’s too far from my usual style, although it was lovely and quick to work with a visible foundation fabric. Bearing those lessons in mind the next one will be OTT Sarah style I think – very encrusted and probably Barbie pink as that’s everywhere today! Stay tuned……..
PS if you’d like this or the other gifted patterns they’re here on the @beadworkers website https://beadworkersguild.com/free-patterns/
It’s been a busy week here – the last week of the school year for the bigger boy (cue endless house competitions and much taxi-ing around the sporting venues of South West London) and the looming deadlines of full on school summer holidays and International Beading Week have rather energised me. As well as listing a whole new batch of beautiful crystals and some beads, I’ve finished writing up a new tutorial. It’s a while since I shared a beadweaving tutorial – I’ve been distracted by bead embroidery so much of the time, but my trip to the Czech Republic earlier this year to visit the bead manufacturers really inspired me. There was so much beautiful Art Nouveau architecture and design around, highlighting that the Northern Bohemian area really was a focus for this beautiful style in the early 20th century, so when I found these gorgeous Tulip Bud beads at Rutkovsky I knew instantly that they needed an Art Nouveau surrounding.
The first version (back right) went together like a dream, as did the second (back left), but the write up process was then slowed down by the third version, which I was using for step by step pictures being just slightly off – the central ‘cathedral window’ section was distorting and twisting. I nearly gave up at that point, but I like a challenge really, so that meant another three versions before I got it back on track – adding a 15 here, changing a thread path there until I had a finished version which worked with different bead finishes, rivoli brands and types of tape measure. Then I was back to the step by step version, which uses a different shade for each size of bead in the two colour groups to make the tutorial more helpful, shown in the front above. All of the colourways I’ve made so far are listed out in the tutorial itself, and as usual I’ll add any more I make to my colourways page here (although after making at least 9 including 4 in the step by step colourway I may take a break for a little while). It reminded me how much work we designers have to put into testing – and how as with software design I must only change one thing at a time (I didn’t always stick to this and I paid a price!). Never mind, at least I got to do lots and lots of beading!
The tutorial is available in my Etsy and PayHip shops as a PDF. It uses Right Angle Weave (RAW), Modified RAW (RAW), circular peyote, and netting. It
will suit intermediate to advanced level beaders who have experience with RAW, peyote and netting and who are able to vary their thread tension (some sections need a soft tension and not all beaders can manage that).
The twenty-six page tutorial contains a full materials list, with suggestions for colour schemes, and every step is fully illustrated with a detailed diagram showing thread paths etc, as well as being written out clearly (in English) with photos where appropriate.
As I mentioned above, International Beading Week (IBW) is coming up, so if you’re interested in purchasing this tutorial you may want to hold fire until July 22nd, as during IBW I’ll be doing my usual ‘20% off tutorials’ offer to spread the beady love a bit.
At last I’ve found time to put together my yarn packs – I’ve been dreaming about doing these for so long! These are a tidy version of the skeins I make for myself when I’m doing some heavy embroidery or weaving so I don’t have to lug around a giant bag of yarn balls – have a look at my Instagram for some examples. There are some gorgeous yarns in here, some have been in my stash since my teens, others are newer and brighter! The roving yarns in particular are scrumptious and make the best french knots, and there are some super brand yarns in here such as Rowan and Wool and the Gang.
There are three colour combos at the moment with more to come if these sell (I’m happy to take requests, although this is a destash project so please don’t tempt me to buy more yarn). ‘Soft’ is ice cream colours with a dash of retro aqua soft greys (the grey super chunky roving in this one is gorgeous and nearly didn’t make it in!). ‘Bold’ is based round a multicolour roving yarn, so picks up the navy, chartreuse, reds, purples and deep pinks, with a few more colours thrown in. And ‘Bright’ (my favourite predictably) is all my favourite neon pinks (who knew there were so many neon pinks), lime, yellow, aqua and a little bit of navy and white for balance.
Each pack has 14 yarns, 2m of each, so plenty for a small weaving project or several embroidery hoops – available now in my Etsy shop.
And don’t forget I also have some gorgeous crystals available at the moment . For the beadweavers I have the lovely etched flower crystals which come in a 14mm or 10mm chaton shape (the 14mm work really well in projects asking for 14mm rivolis).
Or if you’re an embroiderer or bead embroiderer I now have a selection of crystals in sew on settings – either pear shapes in glass crystals (more colours coming soon), or for a more unusual finish these new Indian acrylic stones in a variety of shapes. I wouldn’t normally use an acrylic stone but the textured metallic finish on these is irresistible.
And for everyone I have my favourite 2mm cup chain – two types – metal settings with crystal or crystal AB, or self coloured settings in a range of colours (the black is brilliant for outlining shapes). I use these lots in bead embroidery as they’re lovely and delicate – not too ‘in your face’!
This was my winning entry in the ‘Previous Winners’ class of the Beadworkers Guild annual challenge – you can learn a little more about the piece in my earlier blog post here.
I really loved making this piece – every year I try to challenge myself creatively during the winter months, usually working on something big and using new techniques or materials. Often it’s a Guild Challenge provided that the theme is one which chimes with me.
I’ve worked in most of my usual beadwork techniques into this piece – peyote bezels, a wide variety of bead embroidery stitches, goldwork smooth purl loops, scale like sequinned areas, but the ‘fur and feathers’ theme meant I also added some new to me materials, and perhaps new to the Challenge techniques – not too many though, as it does have to be beadwork based after all.
Tiny tufts of fur and a variety of feathers were taken from trimmings and individually cut down and stitched in place. I used punch needling on a separate fabric using hand dyed threads and fibres to make additional mossy fur patches, which were then stitched onto the main base, and also used needle felting and felt balls cut in half to add height under some sections, which were then bead embroidered.
Early on as a key part of the piece I created the lutrador and tyvek sections – hand painted then carefully heat shrunk, the tyvek gives the bubbles, and the lutrador the mossy textures. Both were tacked in place and then bead embroidered using simple stab stitches and a variety of bronze Miyuki beads. The tyvek had to be pre-pierced with a beader’s awl so I could attach it and add the beads, and with the lutrador the objective was to fill in all of the lacey holes.
I’d already bezelled the cabs onto hard felt, and stitched those in place at roughly the same time as the manipulated synthetics, starting to build the layout. The hard felt edges were then masked with stacked seed beads and sequins. Below you can see one section as it built over time – bear in mind I was building all three sections in parrallel to ensure I had the same look and feel on each, so I was constantly swapping as I then went on to build up the beadwork sections.
As you can see above, all the sections were worked onto soft felt which was mounted onto tough dress net – I needed to use soft rather than hard felt so the collar sections would drape on the body and move, but it wouldn’t have been strong enough then to support such heavy beading, so I added two layers of net beneath. The net was easy to work through, and as well as strengthening the felt once the stitching started, it of course provided the tensioned base to get the felt pieces onto an embroidery hoop (or in the case of the largest section, a quilting hoop as I had no embroidery hoops big enough!). More often I work bead embroidery on hard felt, which doesn’t require a frame, but with the soft felt you have to work under tension or it puckers (as well as flopping everywhere) – slower and bulkier but worth the extra effort.
Some parts of the base felt were also hand painted – bright green felt was the right colour at the beginning of the project but then the teal and bronze colours took over from the lime greens as I progressed, so I needed to use watered down acrylic inks to tone it down into the background – silly error but a useful new technique for me to perfect.
The beetle wings have been in my stash for about 15 years, and this was finally the perfect project for them – they’re carefully attached through tiny holes with give in the threads to allow them to move with the wearer, and had to go on just before backing.
And finally, each section has small ‘button holes’ for the toggles – the sections need to move independently in wear so each have just two joining points, and the Anna Bronze toggles can sometimes just be seen sitting snugly in the textures. Each of those button holes plus all of the edges have been finished using the standard bead embroidery ‘sunshine edge’ – fiddly (particularly round the peacock feathers on the neck edge) but an important strengthening step to marry together the strong ultrasuede with the softer felt (which I’d already reinforced with dress net either side) .
I’ve probably missed some techniques or materials in this list – this was a very long project (started in November ’22, finished in March ’23) but I will try to share more ‘in progress’ shots on my social media accounts so we can all see it grow and I can describe some more of the process – just follow me on Instagram or Facebook to see those.
With so many materials in one piece a definitive supplier list is tough, particularly as so much came from my stash, but here are some key suppliers:
Anyway, overall I did enjoy making this piece, and after 5 months of work still actually like it (not always the case with some pieces). I feel very happy and proud that it won it’s class in such an important competition. Thank you to the Guild for continuing to run the Challenge and for setting such an interesting theme (and for liking my work yet again!). A particular thank you has to go to all those who enter – whether you’re like me and have entered several times or it’s your first try we’re all contributing to stretching and promoting our wonderful art form and I’m jolly proud to be part of that.
The Indecisive Beader 