I’ve finished my latest Contemporary Geometric Beadwork influenced piece – a large pointy bangle. The idea with this piece was to work with the ideas from CGB, but for the first time to ignore their finished pieces and patterns and see where I ended up. I also wanted to work with a tube of sweepings from Stitch & Craft, to free myself up from the hours I tend to spend selecting colours!
I started with a MRAW band which I thought would be roughly the right size for a bangle (I was wrong – it was huge), then added some increases and decreases to form a zig zag. I beaded that for a while, then added some increases halfway along each side to start to form peaks which I thought I could join together to start to shrink the piece down and make it human (rather than elephant sized)! I planned to add some crystals to join the peaks together, but when I tried it they didn’t work, and left the piece a bit too wobbly. After some unpicking I decided to stick to delicas, joined the peaks and beaded across either side of the join to make continuous lines and curves, surrounding the whole piece with a dark magenta metallic outline.
At that point I decided the original MRAW band wasn’t sitting correctly – the alternating zigs and zags meant that it needed to point in different directions so I couldn’t turn it into a CGB skirt to firm up the shape and make it smaller. So that got unpicked from the inside out, and I added a couple of rows of peyote in fuchsia metallics, and the decreases sorted the sizing out.
So it’s all done, and available in my Etsy shop. It’s also my entry for the Etsy Beadweavers Team October Challenge – ‘Abstract Painting’. If you’ve got a moment pop over to our blog and have a look at the other entries (or search ‘EBWC’ on Etsy). And if you could take a few seconds to vote for your favourite we’d really appreciate it.
I’ve had my electronic copy of Contemporary Geometric Beadwork 2 for a few weeks now, and with the bigger boy at school at last I felt I had the time and energy to have a go at another piece. One of the loveliest pieces in book 1 was the Fortuneteller, and with lots of lovely examples in book 2 I felt inspired. It’s gone together very nicely (they really are deceptively simple designs in the end) and I’m really rather pleased with it.
I used a variety of shades of red, orange, salmon and peach delicas, including two of the newish luminous colours. In natural light the finished piece is very bright, but the yellow tones of artificial light do quieten it a bit. Apologies for the failure to take photos in progress, but I don’t get much chance to get at my beads in daylight……
29g of delicas in around 15 different shades of salmon, red, orange, peach, yellow and pink, including luminous, mattes, metallics and transparents. 24 Miyuki drops (various colours, taken from a mix).
Tips & variations
I made their ‘small’ which is only just large enough. However I do expect it to stretch a bit in wear so I’d say this should be perfect. Their small is six repeats of the zigged band with 10 units on each side of the zig. My knuckles measure 21cm round.
I had a little trouble following the instructions towards the end so I ended up simply adding a drop to what I felt was roughly the right place, and zipping 3 beads only Jean Power style, which gave about the same look, avoided making it any smaller and seems fine to me.
Next time I will vary slightly and add drops to the modified raw band (at the decreases) to match the other points.
I didn’t add drops in the final round (after zipping) as I felt the three already there were sufficient.
I used some transparent frosted lime beads for the raw band and edges. If I was making again I think an opaque bead would work better here (although I would still use transparent beads for some rows in the main fabric), or even a metallic. Alternatively I might use two colours in the RAW – one for the horizontal, one for the vertical beads, as that would more closely mirror my colour use in the rest of the piece and allow the band to blend more.
Another one I think, in more subtle colours (probably soft grey metallics and blues). I am also wondering what this would look like in seed beads?
While we were on holiday I decided it was high time I made something for me – beading recently has been about competitions and the shop, rather than stuff for myself. As every beader knows, we are the strange people who have something to match perfectly with every outfit, and I seem to have acquired new clothes without beadwork to match. Chief among these are my new and very silly trousers (under the bangle above) from Boden, and whilst I rarely get to wear jewellery because of the littlest boy, their colours seemed to present an opportunity for something very loud. This isn’t quite as daft as it seems – I wear them with a plain navy blue top so some colour is needed to balance things out a bit.
I made a little pendant with some fluorescent pinks, blues and magentas, but it was still a bit dwarfed by the trews. Something truly epic was called for – and with some extra time courtesy of a few rest days at my parents with the boys, I finally felt ready to attempt a bigger piece from Contemporary Geometric Beadwork. I dug out a PDF they issued last year for the ‘Mowgli’ Zig Wing Bangle, and a big box of beads.
Here’s what I learnt:
- The modified RAW band is lovely. However, you will end up holding it while you bead, so make sure you use beads with a very permanent finish. I think I grabbed the first silvers I found, and they were galvanised so they’ve lost a little sparkle.
- Their small/medium (5 points) is quite big. If I make another I might drop some repeats from each side.
- The written instructions don’t quite match the diagrams for the beginning of the second side. Follow the diagrams, the words will give you about 4 extra rows – not the end of the world, but time-consuming, possibly affecting the sizing and probably not as nice.
- Another time I think I will skip the ‘slipper’ join and shaping on the inside layer, and instead just zip that part together. It feels like this would make a better base for the outer layer and show that fantastic shaping with less distortion.
- I didn’t keep a full count of hours – at a guess I’d say around 20? Certainly a reasonably big job compared to my usual pendants and earrings, but a lot quicker than expected.
- Also actually much easier than expected – is basically plain peyote with some herringbone increases and decreases.
I’ll be honest and say I didn’t find the instructions hugely clear – I can’t quite identify exactly why, but they do make the piece seem more complicated than it is. However the diagrams are good, with thread paths at critical points, so most intermediate beaders should manage fine if they concentrate!
- I’m going to pop some drops or even seed beads into the RAW band at the point where the decreases will go next time, as they will form a nicer corner than delicas.
- Kate recommends soft tension. She says this a lot and she is quite right! However this is tricky with delicas, and even trickier with matte beads. Try to relax, the fitting and shaping (as well as the finished feel) will be easier if you do.
All in all, I’m pleased. I’ll certainly have a go at another big piece from CGB ( now I know they are easier than they look), and I await CGB 2 with eagerness. If I am feeling really energetic I think I will treat myself to one of Barbara Brigg’s patterns from Etsy – they look incredible and should I think be nice and clear.
When I get a minute I will update with the finished weight so you can see what kind of volume of beads is involved.