Crimson Frog Fish

Having been reminded of her gorgeous work in the recent Stitch and Craft  brochure, I googled Kinga Nichols to see if she offers kits or tutorials for those of us unable to get to classes.  She does, but her Etsy shop is a bit empty as she’s just been away – this is probably just as well given that I have far too many beads already, the pound is low, and postage from the States is horribly expensive.  However, further googling turned up her new video tutorial for Interweave.  I’ve used free video tutorials in the past to help with things like knitting and sewing, but never for beading, and to be honest, never paid for.  But it’s something I’d maybe like to try doing myself one day, and I’d just bought a fantastic eye cabochon from WingSmith and some red bead foundation from Jencel at the Big Bead Show, so it felt like the beady universe was saying ‘go on go on’,  so I splashed out the rather steep $19.99 and had a go.

We made a fish.  She is rather lovely, and ugly at the same time, and I really enjoyed making her.  I have learnt about glues, fabrics etc, drawn and cut out my base (the tutorial claims to be focussed on working with pre-cut foundation, but to be fair other than the fact that we are using one, it’s not about that, it’s really about making a lovely beaded fish).  I’ve at last sorted out my back stitch (which I’d never got to like previously), and I’ve added a bezel to the glued on eye, seeded on some Swarovski lochrosen (glass sequins), drops and best of all added some lentils to cover a huge space in no time at all!

The video is well structured, with good, clear explanations of the key stitches and techniques.  There is possibly a little too much of watching Kinga do back stitch, but one can always fast forward.  It’s certainly possible to watch and bead, and then just pause when you need to catch up, which works well so long as you have a device/PC next to your beading area (in my case this consists of an iPad on the arm of the sofa).  It’s certainly been the best bead embroidery technically that I’ve done, and I think Kinga deserves full credit for that.  The next test will be to see whether I can appy this to some designs of my own.

I enjoyed making the pink and red one so much that I’ve made a second fish in pink, green and purple – this time the correct size (I scaled the first up as the eye I had was huge), and I see more of these plus some other Kinga style bead embroidery in my future…….

Hints & Tips

  • Interweave sell this as either a single video ‘download’ (there is a second project available as well) or as a pair of projects on DVD.  The downloads are $19.99 each (so $39.98 the pair), the DVD pair $34.99.  I don’t know who does their accounting, but that feels like a rip off.  The downloads should cost significantly less to sell, and yet are more because you can’t buy the pair.  With the pound low this works out as at least twice what I would normally pay for a tutorial, and more than the price of a book for a single project.  If you are based in the US and can buy the DVD set then that will be a reasonable deal – otherwise for UK based beaders I’m not sure I can recommend based on price.  As I write it is reduced to $15.99, so if you live somewhere with a favourable dollar exchange rate, it may be worth a buy!
  • If you are using an iPad or iPhone, they are not even downloads – you are effectively buying access to stream the video, not to save it on your device.  Yes, I will when I have time download it onto my PC, but I’ll want to watch it on my iPad or iPhone so will have to get dear husband to transfer it on.  This is governed by the way that Apple run downloads onto iPads and iPhones, and is not something Interweave alone can change, but a more substantial warning before purchase would have been appreciated.
  • There’s a PDF included with a template of the fish to trace, which is great, but no materials list.  You have to work out as you go along what beads you will need, and for me, that was quite annoying – I like to pull together the right beads (or roughly the right beads) before I start, so that I know I can bead all of the way through without having to go hunt out or even buy additional beads.  A written tutorial or magazine project would always contain a list, so why not a digital download.  Even just talking through the materials required at the beginning of the film would have helped………hopefully though my list in the Recipe below will be of some use!
  • Coloured bead foundation is a must here – going back to the lack of materials list you’re going to be pretty disappointed as you can’t start without it.  Coincidentally I’d bought some red and pink Nicole’s Bead Backing from Jencel at the Big Bead Show, so was kitted up ready to go.  It’s the first time I’ve worked with it, rather than using white Lacey’s Stiff Stuff or Beadsmith Bead Backing and it was really, really liberating.  Using a backing that compliments or even contrasts with your beads, which you’re happy to show through makes everything easier, and means you can use larger beads with ease without having to fuss filling in the tiny gaps with seeds, spoiling the effect and multiplying the work! I’ve invested in some more colours now, and I feel that having a good backing colour will make me more confident and bold with my beads.
  • I didn’t really want to make a big, heavy cuff, and didn’t have the right materials to do that anyway – instead I had a look at the other fish pieces Kinga has done and spotted that sometimes she puts a hole in the upper fin and uses that to thread a cord through, making a pendant.  This was relatively easy to do, although I’m slightly worried about the strength of the loop – will it distort in use?  Another time I’m going to cut a piece of plastic (from some washed veg packaging or similar) to sit between the foundation and backing to provide additional strength.  I may even consider doing this for the whole piece as with so many heavy beads on it does feel like it could do with some extra stiffening.
  • I didn’t have the petals Kinga used for the scales – instead I used some lentils I’ve been sitting on for a while, and I think they also work really well.  As they are smaller than the petals I decided not to add seed bead stalks, as the holes are reasonably inconspicuous.  That meant I had to work from the tail inwards to get the layering of the scales right (Kinga is able to work the other way as her petals sit further off the foundation with their beaded stalks, so can be pushed aside).
  • Big eyes are better – the second fish I made has an eye closer to the outline provided (15mm), and I don’t think she is as fun as the first one, which has a much larger eye (25mm) in proportion to the rest of the piece.  If you’re working using the template, I would use a 20mm eye.
  • Dragon eyes (with a vertical slit for a pupil) don’t look as nice as ‘normal’ eyes.  Don’t know why, they just don’t look as friendly.
  • They’re pretty big and daring, even for me to wear.  They may take a turn on the Christmas tree this year………..

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Recipe

Creative Bead Embroidery 1 with Kinga Nichols: Working with Precut Foundations Video Download

Coloured beading foundation to tone with your main colours.  I used Nicole’s Bead Backing in red (red & pink fish) and fuchsia (pink & purple fish).

Backing – tone, contrast, compliment, whatever – I used Ultrasuede in fuchsia as it’s easy to work with and I had some, although Kinga suggests leather instead as it is more durable.

Glass eye cabochon – I used a 25mm from Wingsmith for the red/pink, and a 15mm from Kookeli for the purple/pink.  Next time I’ll use a 20mm (see Hints & Tips).

Seed Beads:
  • Size 11 in at least three colours (an outline colour, a main colour for the backstitched circles and one of the fin stripes, and a third colour to give some contrast round the eyes – you could work with more than two colours in this area).  I used Duracoat Zest 4205 as the outline and Silver Lined Fuchsia 1436 as the main for both, with Silver Lined Vermillion 1010 for the red/pink fish and Silver Lined Purple 1446 for the purple/pink.  All Miyuki of course.
  • Size 15s – just a few to close the eye bezel and for attaching the lochrosen – Duracoat Zest 4205 for both fish.
  • Size 11 delicas in a contrast to form the stripes on the fins.  I used Silver Lined Frosted Orange 682 for the red/pink fish, and Galvanised Dark Magenta 463 for the purple/pink.
Feature Beads:
  • For the belly, Swarovski Lochrosen in 4mm (Fuchsia & Light Siam) for the pink/red fish, and O-beads and Tri-beads in Magic Orchid for the pink/purple.  Kinga uses the Swarovski in two sizes, which would be lovely, but I don’t have them and they seem to be very difficult to get hold of at the moment.  Probably a Strictly Come Dancing induced shortage.  The O and Tri beads worked very well though, and are more economical.  If you’re using a ‘magic’ coating, make sure the coated side sits at the back, so that the transparent side sticks up giving you the sparkle.
  • Next along the belly, some 3.4mm Miyuki drops – ideally transparent, with optional colour lining rather than a frosted or opaque – they’ll look like glossy bubbles.  I used red lined topaz for the pink/red and a pink/green mix for the purple/pink.
  • And finally, some larger, flattish beads for the scales – Kinga uses Petals, but I didn’t have any so I tried Lentils and they worked well – Etched Crystal Full Marea for the red/pink, and Magic Orchid for the purple/pink.  Again make sure you use the beads the right way up to get the best from the coating.

All in all not the best value, but well explained and demonstrated, and a fantastic, enjoyable project which I plan to repeat. A lot.

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Fantasy Workshop shopping

Last week the Stitch and Craft workshop schedule for next year came out, and it got me really salivating.  Utter lushness, in the lovely Dorset countryside.  Bookings open on Thursday, and some workshops will go incredibly quickly because they are incredible designs from internationally renowned beaders.  Plus they are at the SnC Studio which in itself is a beader’s paradise, and frankly worth coming up with any excuse to visit (including ‘but I really need to learn how to make this so I have to go there’).  I don’t think I’ll be able to make it to any classes, family and work being what they are, but I’ve indulged myself with a little fantasy workshop selecting – perhaps one of you could go instead?

So, first to some of my beady friends, starting with the fabulous Jean Power.  I think I’d go for her ‘Iskra Box’, or possibly the ‘Tetra Star’, as I’ve seen elements of these in development and thought they were amazing.  Jean’s a great teacher, and really fun to bead with – we’d have a ball.

My new beady friend, Shona Bevan is teaching a few pieces – I loved her ‘CRAW Donut’ when I saw her wearing it a couple of months ago – it’s put together with such confidence and elegance, and yet it’s so daringly simple in terms of colour.  Then again, she was wearing one of her ‘Borgia Pendants’ last week and that was completely lovely.  Plus she is a scream in person so again we’d have a fab day.

When I met Sian Nolan for the first time on the Stitch and Craft stand at the Big Bead Show, she was I think wearing her ‘Flowers in the Snow’ – I couldn’t stop staring at it so I’d love to learn how to make one.  The use of I’m guessing lentils round the edges is inspired, and I have just the ones in my stash already…….

As many of you know, I’m a big fan of Sabine Lippert – from her I’d go for either ‘Night and Day’ or ‘Charming’.  Laura McCabe is coming over, and although she’s not teaching her more avant garde pieces, I think her ‘Modern Medieval Bracelet’ would give a good insight into some of her techniques.

I’ve made a few of Heather Kingsley Heath’s designs, and really enjoyed them – her ‘Samarkand’ includes fabric which really intrigues me, but then again her ‘Bumble Bee’ is adorable.  And ‘Serpentine’ looks lovely……

I’ve been trying to up skill my bead embroidery lately, and luckily my newest obsession (kicked off by the arrival of this very brochure) is the bead embroidery of Kinga Nichols.  I’ve just splashed out on her Interweave video featuring a fantastic fish (and started beading it), so I wouldn’t pick that class even though it really appeals – instead I think I’d love to learn how she achieves such lovely textures and shapes in her abstract pieces, so would go for the ‘Bees Knees’ pendant – very wearable as well.

Looking at some of the other classes, ‘Nuts & Bolts’ by Heather Collin (taught by Lynn Firth) caught my eye.  It looks like an intriguing construction with an opportunity to play with colour, which is obviously a plus for me, and very wearable.  Then the lovely Lynn is also teaching some of her own pieces as well…….  There’s a bead crochet class with Gillian Lamb which might be a good idea (I really cannot get the hang of it on my own), and then there are classes from the incredibly elegant Maggie Meister, and exploration class using Hubble Stitch with Melanie de Miguel, and oh the list goes on, so it’s just as well I don’t have to choose.  If you can though, do, and you will definitely have a lovely time.

Completion

I’m not great at finishing things – as well as the usual UFO box of failed projects I even have a box full of nearly finished projects. Brooches needing brooch pins, pendants needing only a jump ring, and of course tutorial pieces needing writing up.
Seeing so much bead embroidery in the Battle of the Beadsmith reminded me that about 3 years ago I had a go at it, and had an almost finished piece cluttering up my beading cupboard. So I girded my loins, dug out my bead embroidery book (Jamie Cloud Eakin’s dimensional Bead Embroidery) and worked out how to finish it. And finish it I have.

I’m quite pleased with it, but made a couple of errors which mean it will be staying with me rather than going into the shop………….

  • I made a booboo when I was cutting out the backing, forgetting the remnants of a sticky label.  Which doesn’t look great.
  • I looked at the big roll of heavy interfacing in my sewing drawer and said ‘ I can use that, not this ridiculously expensive beading stiffener’.  This might have worked for a flat piece, but didn’t work for a bracelet as the interfacing has folded slightly, so I don’t have a smooth curve.

On the bright side, the faux suede upholstery fabric I used (I started this so long ago I hadn’t heard of ultrasuede) does seem to be fine – it’s nice to work with and hasn’t frayed at all.  Since it’s one of a large wad of samples I bought at a fabric sale I’m quite pleased since I now have a huge range of colours of backing to choose from.

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So here it is, my first completed bead embroidery piece – beads from my stash, a polaris clasp from Stitch N Craft and backing from my overstuffed fabric drawer.  I’ve enjoyed the process more than I thought I would – I have always perhaps slightly looked down on bead embroidery, feeling it doesn’t have the engineering and construction challenges of the 3D beadweaving I’m more used to, but it does give an opportunity to paint with beads, and really make the most of the finishes and colours.  Since finishing this I’ve made two more pieces, more about them soon (once they make it out of the nearly finished box!).