beadwork evolution – The Indecisive Beader

Sparkly mistakes

Before Christmas I beaded another project from Beadwork Evolution – ‘Stars We Are’ earrings. I wore them a couple of times (sadly dangly earrings don’t get worn much when there is a toddler in the house), but it was only when I laid them out to photograph them at the weekend that I realised I’d messed up!

Have you spotted it? To give you a clue it’s my old problem with hexagons versus pentagons…….

So I am pleased to report that this design can be adapted to form a five sided star at the base rather than six. Ideally though one should adapt both earrings, not just one!

Recipe

Sabine Lippert’s Bead Evolution p102
Swarovski 3mm bicones in Light Siam; Fuchsia AB, Fuschia & Violet, Bonarski Bicones in Purple Metallic & Blue Metallic
Miyuki size 15 seeds in Black AB matte 401FR

Tips

Sabine uses two colours of crystals. I couldn’t choose just two, so I used six and ran from red with a contrasting centre of metallic blue, through pink to purple. I like hers, and I like mine too.
Pay attention – the way the stars are joined and constructed is very elegant in it’s simplicity, but it took a few repeats to get the hang of it as it is not obvious. And clearly check how many repeats you have put in each unit……..

Verdict

Really lovely, nice to make and fabulous to wear. It took under an hour per earring, probably less for a second go, so I’m definitely going to make again in some other colours. I’ve got some lovely opaque bicones which might make a less blingy version for the daytime as well.

Bubblelicious

When I started this blog I made a few rules for myself. One of them was to try to use photos taken on my phone, so that I was just capturing the work I’d done without having to set up for ‘proper’ photography. In my shops all the photos have been taken ‘properly’ as I think it’s important for customers to get the best possible reproduction of what they are buying, and I want to be able to show levels of detail only possible with a macro lens. When I take the ‘proper’ photos I use our digital SLR, macro lens and big sheets of white or black mounting board propped up in our front room window – the translucent window film which stops the neighbours seeing the mess inside gives a lovely diffuse natural light. For the blog I want more spontaneity, and definitely don’t want to wait weeks for that elusive couple of hours with no little people. When I take photos for the blog or Facebook it’s usually with my iPhone, against whatever plain background I can find and with the closest to natural light I can get – I’m after speed rather than fabulous quality, but so far I’ve been really impressed with the photos I’ve taken. Last year I particularly enjoyed being able to shoot my Fortuneteller on the lovely slate tiles in our back garden, with nasturtiums behind. However, in the depths of winter, I’ve really struggled – so although I finished my Bubble Ball before the New Year, I’ve only now had the time to get the big camera out and take some pictures for you.

The Bubble is another piece from Sabine Lippert’s new book ‘Beadwork Evolution’ and it was the piece I wanted to make the most when the book arrived. I only had the twelve chatons required in a couple of colours, and although I thought I had lots of drops, only one set matched, so I’ve ended up with a combination which makes the finished ball look quite different to Sabine’s. Black, though versatile isn’t a favourite colour for beading, and it is tricky to photograph. That said, I still love it, and the drops I used are just stunning and I think they really make the piece even though it’s not as bubbly as Sabine’s.

Recipe

Sabine Lippert’s Beadwork Evolution – page 133
Chatons & Bicones – Swarovski Fuchsia
Drops – Hybrid Jet Sliperit – from Beads of Bohemia via Etsy
Seeds – Black Miyuki
Fire polished – Black Czech

Tips & Lessons learnt

Watch your tension – as usual with Sabine’s stuff you need to stay nice and loose. Which is the opposite of my normal tension……….
It does turn into a bit of a needle bender towards the end so be prepared with a good light and some tweezers. And perhaps don’t use your very best needles?
I kept forgetting to do step 4 again and again. Don’t do that.
Whilst the sliperit drops are incredible, I paired them with black beads as that seemed best. And I normally avoid black beads like the plague – they hurt your eyes and a pig to photograph. They also mean that a lot of the detail of the construction is lost and I think that’s a shame.
Because I couldn’t tell how much the Fire Polished beads in the core would be seen I opted for black there as well, and although the finished piece is very wearable it might pop a bit better with some contrast – perhaps a copper core or even perhaps a black core with copper seeds?
Sabine again matches the chaton and crystal colours – I think that works really well, but would like to see what happens to the shapes with an alternative (particularly if I used a lighter chaton colour than the crystals).
It took me about four hours to finish (including a lot of colour faffing) – I’d expect to be quicker next time, so would fit into a few evenings nicely.
For my next version Stitch N Craft have some of the drops in Crystal Sliperit, and as I also have some Piggy Beads in the same colour waiting to be used I think I might get some for another version, as the crystal will be more ‘bubbly’. Not sure what colour chaton to use with them though, so can’t quite work through all the beads needed…….
Or I ought to really try it with the translucent drops Sabine used – I’ve done an order since I made this so I have some more ‘bubbly’ ones in my stash now.
Either way this seems to be very much like a design I’ll make lots of versions of, so you’ll be seeing it again soon!

Tiles on a Ring Pendant

Well the book arrived two days ago and I got stuck straight in. Luckily I have a good stock of chatons, because this book is going to munch them up. For choice I would have made the Bubble Ball Pendant first because it’s my favourite, but I had the right beads for Tiles on a Ring so I dived in. It went together beautifully – Sabine’s designs are always so simple, whilst looking amazingly flamboyant. Around three hours in total, so an excellent weekend project. It uses a RAW base with a 3D netted embellishment to form the cups and frames for the chatons, and I’d say it’s suitable for intermediates.

Recipe

Sabine Lippert’s Beadwork Evolution p99
Seeds in 401FR Matte Black AB 11 and 15
Matte purple iris fire polished
Fuschia Swarovski bicones and chatons

Tips
I got the colours wrong – the fire polished beads are too different in colours from the seeds, and because the seeds and the firepolisheds are next to each other rather than used together it makes the firepolished ring look a bit disconnected. A shiny finish might have worked, or blue iris to match the seeds. This is a shame as I’d chosen the combination to go with the Baroque Dimensional Bracelet I made a while back.

Use the same colour of bicones and chatons – that will give you lovely squares of bling, and you’ll loose those squares if you don’t match them.

As with all of Sabine’s pieces a relaxed tension really helps – I have to make the effort to remember this one!

Beadwork Evolution – Sabine Lippert

At last it has arrived after a frustrating wait …….. And it’s fab! Some very Sabine stuff, and some slightly different stuff so a good mix. Cue a happy evening looking through my stash and choosing what to make first (interspersed with sulks when I don’t quite have the right beads). One of the 3d balls from the last chapter probably, if I have enough chatons. Watch this space.