sabine lippert – The Indecisive Beader

Playing with bright colours

I’ve been a little short on beady mojo lately – I have some big pieces and tutorials that are nearly done, I keep having to restock my materials packs and I’m plenty busy, but because I’m procrastinating about some of those things I don’t feel I want to start any big new designs of my own. But I do want to bead, and I want to bead really really bright. So I dug out one of my favourite books, and knocked up a couple of pieces in very summery colours.

The book is Sabine Lippert’s Beaded Fantasies, and I’ve made my favourite ‘Granada’ brooch, and a necklace which is new to me called Art Deco Necklace. Sabine is an incredible designer, and I’ve made tonnes of her pieces, and it’s been really nice to return to the first book of hers that I bought and bash out some simple, quick and very wearable projects.

Obviously I love making Granada, as I’ve made it at least twice before, and I really enjoyed Art Deco too. Sabine’s patterns are always easy to work from, and although they are a bit condensed and harder to follow in the book than in her individual self-published tutorials (presumably because there is a lot less space in a book), the diagrams are good and I didn’t really have any problems.

And though I say it myself, I LOVE my colours! All the beads were from my stash as these were spur of the moment projects, and I especially love the neon coral 6mm Swarovski Pearls, which I got on sale from Stitch n Craft, the Crystal Light Coral Swarovski Rivoli (also Stitch N Craft), the 3mm milky lime bicones from Robin’s Beads, and in the necklace, the neon red matte rounds from Creative BeadCraft (must buy more….).

And I’ve also used another excellent Stitch n Craft find, a brooch back with bail, which will enable me to wear the Granada as either a pendant or a brooch.

Boomerang Bling – Sabine Lippert

I wrote a while back about all the lovely patterns I have stored up which I was waiting to work on, and I’ve finally actually managed to make one. Sabine Lippert is a favourite of mine – I find her patterns really relaxing to bead, but I’ve not made many of her bigger pieces, largely because of the volumes of beads needed. As a stash lover I’m always a bit uncomfortable actually using my beads……. But as of recently I’m now able to buy some beads in wholesale packs, so when I bought a lovely big bag of 3mm matte sliperit fire polished beads, and a good sized pack of 3mm fuchsia preciosa bicones which worked beautifully together, the time was come to grab some etched sliperit 4mm fire polished and seeds out of my stash and make the lovely Boomerang Bling.

It’s a completely genius pattern – essentially CRAW or PRAW but with some clever twists and additions, but largely unebellished meaning the basic network and form really shines through, making a beautiful 3d fabric of beads. After the first few components I really got into the design, and was able to bead the remainder without constantly referring to the pattern, which was really relaxing. And it’s woven in one continuous rope, which means less stopping and starting and minimises the end weaving in. I made one tiny change, which isn’t noticeable – because I was using etched beads I didn’t have any 15s (which form the tip of each boomerang component), so I stuck with the 11s. Which still look great – thank you Sabine!

Un-Started Objects

Early last year I wrote a post about my beady UFOs. None of the pieces in that post have really progressed (I have put a couple more humps on the Ootheca cuff, but that’s it). Then I wrote a piece about the tutorials I was planning to publish – one (my Space Needle Case) is now out in the world, but the others haven’t really moved. I’ve managed to recreate the CRAW ring, but I’m still not quite happy with how to write up the corner joins…. All in all my beady planning is looking like the opposite of Mastermind – no ‘I’ve started so I’ll finish’ here. On the other hand, I did get some work finished last year, published a new tutorial, and won a competition, so I won’t berate myself too much.

This year, rather than a series of pictures of lonely, unloved UFOs, a glance through my PDFs on my iPad has prompted a different kind of list – rather than UFOs I thought I’d share some USOs (Un-started objects). As well as a huge stash of beads I’m afraid I have a large collection of tutorials lurking – I buy them because there is a discount offer, because I simply cannot fathom how something’s been done and I need to know now, because I want to support the artist, or just because I really want to make them. Because I’m trying hard to focus on original work at the moment the unused ones are starting to accumulate, so I thought it might be interesting to give you a flavour of what has caught my eye (since it may be a while before they appear here as finished or even started beadwork).

So first (and I’ve had these for a while) a set of three from Barbara Briggs bought while I was very into Contemporary Geometric Beadwork. How I ever thought I would have the time for such substantial pieces made almost entirely of delicas I can’t say, but they are quite amazing:

Fantasy Flora Cuff

Mermaid Cuff

Fire Dragon Wrap

I’ve been a huge fan of Sabine Lippert for many years, and have completed lots of her pieces, which gives me an excuse for accumulating so many patterns (plus two books) – although I have to say until I wrote this list I didn’t realise quite how many. Sabine has a sale on at the moment for some of these patterns, and even with the ridiculously low pound they are super value:

Tchacka Boom Bangles – a free pattern using her spiky button beads.

Wanna be a Butterfly – another freebie, this time using her Rizos.

Tweed – I’ve already beaded the related Baroque Dimensional which has a similar basis – I just need to get organised and pick fire-polished colours for this as I’ll need to do a bulk order as it needs 460 4mms!

Turbulence – looks like a lovely, smallish project.

Boomerang Bling – another one which needs some planning/shopping, and a fair amount of work, but looks like it will be amazing when finished.

Squaricals & Penticals – I tried to start this on holiday last year but was a few beads short. I should do this soon – it looks lovely to bead.

Go Dimensional – a classic Sabine blingy beaded bead – my Rivoli stash is much more substantial now so I should be able to do this without shopping!

From Cindy Holsclaw at Bead Origami (my sister is a big fan, and I love the way Cindy works) courtesy of a small special offer:

Teardrop Bubble Beaded Bead – I love beaded beads and I love Czech teardrops, easy choice.

Supercoiled Beaded Rope – how completely cool is this – I need to know how it is done, and hopefully a bit of a stash buster.

None of you will be surprised to discover some of the fabulous Jean Power’s work lurking in my collection. As well as lots of tutorials and book projects from her which I’ve already beaded and some inevitable UFOs, I have two still to do:

Star Flowers – this is quite new so I don’t feel too guilty about this one. I have some of the giant acrylic stones already, so this should happen soon!

Interlocking Crystals – this is a Jean classic which I’ve had for years. I tried it with some cheap rivolis a while back, and it didn’t work because they were a different shape to Swarovski ones, which is fair enough. I’ll need to take a deep breath before starting this one as the necklace takes over 40 rivolis.

Actually, apart from the huge glut of Sabine’s patterns, and the fact that I also have a pile of beading books and magazines, this list doesn’t look quite as bad as I had expected. Hopefully I’ll get onto some of them soon – I have all my new cabochons to work with first though, so don’t hold your breath!

The Sting

I’ve been working really hard on a competition piece recently, and after a month’s solid discipline I fell of the wagon last week and wandered off into other beading. I’m sure the break will be good for me, but none of the other beading really worked and that made me rather antsy. When this happens, there are two options – have a night off beading, or do something which can’t fail. I didn’t want a night off, so I turned to my stash of digital patterns to find something by a designer who never lets me down – Sabine Lippert. Just before Christmas she had a pattern sale, so I had a little splurge on a few patterns, including her pendant ‘Sting’. This looked like something which would be achievable in an evening or two, so I pulled some beads and got going.

It was a good decision – as always with Sabine’s designs this piece went together very nicely. It took around 3.5 hours – I’m used to Sabine’s designs so can usually work them up quite quickly, and I found this one pretty easy, with everything just slotting together perfectly for a contented evening’s beading. It’s given me my beading mojo back, and with some child free time off the day job coming up, I feel refreshed and ready to get some of those long awaited tutorials finished and launched soon.

Recipe

15 seed – Miyuki Duracoat Cranberry 4211
11 seed – Miyuki Matte Silver Grey 2012
SuperDuo – Jet Gunmetal Pearl
Delica – Miyuki Matte Pewter 321
3mm Crystals – Swarovski Paparadscha AB2 (slightly hard to find colour in 3mm – I got mine at a show from Gemstone Boutique)
Spikes – Dark Bronze. I have no idea where they came from!
3mm Round – I didn’t have any in the right colour, so I used some Saturated Fuchsia firepolisheds from Robin’s Beads, which worked well.
6mm Round – I used an orange FP, this can’t really be seen so you just need something that tones in.
14mm Rivoli – Chinese (not as fine a finish as Swarovski or Preciosa, so they don’t work with a tighter bezel, but a fantastic colour which neither of them offer and worked for this project – from the Southampton Bead Shop)

The ribbon (I know it needs a press, it’s been lurking in my stash for ages) was hand dyed by Stef Francis, a fantastic space dyer who I came across in my sewing days.

Tips

I usually find my tension too tight for Sabine’s pieces, because of the 3D embellishments and layering. So I relaxed things a bit, but unfortunately I shouldn’t have done as this is one which requires stiff tension to create a solid rod of peyote, so it came out a bit floppy. However, I have stuck a head pin down the middle and it’s fine!

Sabine does warn you about this in the blurb on her site, but not in the pattern. Because I’d bought the pattern a while ago, I’d forgotten what the blurb said, but to be honest a beader of my experience should know that if you want to make a peyote tube rigid you’ve got to do some pretty solid stitching, and use a suitable thread – Sabine recommends Fireline explicitly in the materials list (which should have been another clue) but I’ve gone off it a bit, so I used KO which is clearly not going to give the same rigidity. So entirely my fault, but a useful learning experience (just when you think you have things sussed…..), and it still looks fine. If I make this design again, which I probably will, I might perhaps stick a cocktail stick down the middle for extra stiffness anyway (the head pin I used is after all flexible).

Colours

One of my resolutions this year is to include more neutral colours in my beadwork – I have a tendency to chuck colour at things, which sometimes gives me an amazing looking piece which is completely unwearable. I try to avoid beading with black as it’s hard work, and anyway I wear a lot of navy blue rather than black, so I’ve been using a lot of 401FR and similar to give me a navy base. I’m also getting really into pewter, and other matte, mid greys, as they work well with the etched beads I’m currently obsessed with, so for this piece I chose a selection of those tones for the base beads, and variations on a dark salmon pink for the main colour. I toyed with a few different spikes (which you can see in the materials picture), but in the end the dark metallic chocolate worked best. This was going against my instincts, which were to pick out the fuschia and orange of the stone, and maybe chuck in some zest, but I think it’s worked well and given me a striking but wearable piece, proving that this is a good resolution!

Conclusion

A lovely piece, well worth buying and trying. Rock hard tension and the correct thread would have helped keep the main shaft rigid, so always read the instructions. I’m going to get back to my own work for now, but next time I need a break I’ve got Sabine’s Toggle Ring tutorial to try.

Sparkly mistakes

Before Christmas I beaded another project from Beadwork Evolution – ‘Stars We Are’ earrings. I wore them a couple of times (sadly dangly earrings don’t get worn much when there is a toddler in the house), but it was only when I laid them out to photograph them at the weekend that I realised I’d messed up!

Have you spotted it? To give you a clue it’s my old problem with hexagons versus pentagons…….

So I am pleased to report that this design can be adapted to form a five sided star at the base rather than six. Ideally though one should adapt both earrings, not just one!

Recipe

Sabine Lippert’s Bead Evolution p102
Swarovski 3mm bicones in Light Siam; Fuchsia AB, Fuschia & Violet, Bonarski Bicones in Purple Metallic & Blue Metallic
Miyuki size 15 seeds in Black AB matte 401FR

Tips

Sabine uses two colours of crystals. I couldn’t choose just two, so I used six and ran from red with a contrasting centre of metallic blue, through pink to purple. I like hers, and I like mine too.
Pay attention – the way the stars are joined and constructed is very elegant in it’s simplicity, but it took a few repeats to get the hang of it as it is not obvious. And clearly check how many repeats you have put in each unit……..

Verdict

Really lovely, nice to make and fabulous to wear. It took under an hour per earring, probably less for a second go, so I’m definitely going to make again in some other colours. I’ve got some lovely opaque bicones which might make a less blingy version for the daytime as well.

Bubblelicious

When I started this blog I made a few rules for myself. One of them was to try to use photos taken on my phone, so that I was just capturing the work I’d done without having to set up for ‘proper’ photography. In my shops all the photos have been taken ‘properly’ as I think it’s important for customers to get the best possible reproduction of what they are buying, and I want to be able to show levels of detail only possible with a macro lens. When I take the ‘proper’ photos I use our digital SLR, macro lens and big sheets of white or black mounting board propped up in our front room window – the translucent window film which stops the neighbours seeing the mess inside gives a lovely diffuse natural light. For the blog I want more spontaneity, and definitely don’t want to wait weeks for that elusive couple of hours with no little people. When I take photos for the blog or Facebook it’s usually with my iPhone, against whatever plain background I can find and with the closest to natural light I can get – I’m after speed rather than fabulous quality, but so far I’ve been really impressed with the photos I’ve taken. Last year I particularly enjoyed being able to shoot my Fortuneteller on the lovely slate tiles in our back garden, with nasturtiums behind. However, in the depths of winter, I’ve really struggled – so although I finished my Bubble Ball before the New Year, I’ve only now had the time to get the big camera out and take some pictures for you.

The Bubble is another piece from Sabine Lippert’s new book ‘Beadwork Evolution’ and it was the piece I wanted to make the most when the book arrived. I only had the twelve chatons required in a couple of colours, and although I thought I had lots of drops, only one set matched, so I’ve ended up with a combination which makes the finished ball look quite different to Sabine’s. Black, though versatile isn’t a favourite colour for beading, and it is tricky to photograph. That said, I still love it, and the drops I used are just stunning and I think they really make the piece even though it’s not as bubbly as Sabine’s.

Recipe

Sabine Lippert’s Beadwork Evolution – page 133
Chatons & Bicones – Swarovski Fuchsia
Drops – Hybrid Jet Sliperit – from Beads of Bohemia via Etsy
Seeds – Black Miyuki
Fire polished – Black Czech

Tips & Lessons learnt

Watch your tension – as usual with Sabine’s stuff you need to stay nice and loose. Which is the opposite of my normal tension……….
It does turn into a bit of a needle bender towards the end so be prepared with a good light and some tweezers. And perhaps don’t use your very best needles?
I kept forgetting to do step 4 again and again. Don’t do that.
Whilst the sliperit drops are incredible, I paired them with black beads as that seemed best. And I normally avoid black beads like the plague – they hurt your eyes and a pig to photograph. They also mean that a lot of the detail of the construction is lost and I think that’s a shame.
Because I couldn’t tell how much the Fire Polished beads in the core would be seen I opted for black there as well, and although the finished piece is very wearable it might pop a bit better with some contrast – perhaps a copper core or even perhaps a black core with copper seeds?
Sabine again matches the chaton and crystal colours – I think that works really well, but would like to see what happens to the shapes with an alternative (particularly if I used a lighter chaton colour than the crystals).
It took me about four hours to finish (including a lot of colour faffing) – I’d expect to be quicker next time, so would fit into a few evenings nicely.
For my next version Stitch N Craft have some of the drops in Crystal Sliperit, and as I also have some Piggy Beads in the same colour waiting to be used I think I might get some for another version, as the crystal will be more ‘bubbly’. Not sure what colour chaton to use with them though, so can’t quite work through all the beads needed…….
Or I ought to really try it with the translucent drops Sabine used – I’ve done an order since I made this so I have some more ‘bubbly’ ones in my stash now.
Either way this seems to be very much like a design I’ll make lots of versions of, so you’ll be seeing it again soon!

Tiles on a Ring Pendant

Well the book arrived two days ago and I got stuck straight in. Luckily I have a good stock of chatons, because this book is going to munch them up. For choice I would have made the Bubble Ball Pendant first because it’s my favourite, but I had the right beads for Tiles on a Ring so I dived in. It went together beautifully – Sabine’s designs are always so simple, whilst looking amazingly flamboyant. Around three hours in total, so an excellent weekend project. It uses a RAW base with a 3D netted embellishment to form the cups and frames for the chatons, and I’d say it’s suitable for intermediates.

Recipe

Sabine Lippert’s Beadwork Evolution p99
Seeds in 401FR Matte Black AB 11 and 15
Matte purple iris fire polished
Fuschia Swarovski bicones and chatons

Tips
I got the colours wrong – the fire polished beads are too different in colours from the seeds, and because the seeds and the firepolisheds are next to each other rather than used together it makes the firepolished ring look a bit disconnected. A shiny finish might have worked, or blue iris to match the seeds. This is a shame as I’d chosen the combination to go with the Baroque Dimensional Bracelet I made a while back.

Use the same colour of bicones and chatons – that will give you lovely squares of bling, and you’ll loose those squares if you don’t match them.

As with all of Sabine’s pieces a relaxed tension really helps – I have to make the effort to remember this one!

Beadwork Evolution – Sabine Lippert

At last it has arrived after a frustrating wait …….. And it’s fab! Some very Sabine stuff, and some slightly different stuff so a good mix. Cue a happy evening looking through my stash and choosing what to make first (interspersed with sulks when I don’t quite have the right beads). One of the 3d balls from the last chapter probably, if I have enough chatons. Watch this space.

And another one……

Since I had the pliers out yesterday I finally got round to adding a clasp to a Sabine Lippert piece I finished beading a while back. It’s a Baroque Dimensional Bracelet and instructions are available for download from her website, and the simplicity and repetition made it a really lovely piece to make – but of course as with all Sabine’s pieces it looks absolutely amazing. It curves beautifully – both around the wrist and across the width of the piece, making it seem lovely and fat and chunky. Very pleased with this one.

Recipe

Fire polished beads 4mm Matte purple iris (from Etsy More Beads4U)

Fire polished beads 3mm Purple iris (from Robins Beads)

3.4mm drop beads Miyuki 401FR Black Matte AB (from Stitch N Craft)

Size 11 & Size 15 seed beads Miyuki 401FR Black Matte AB (from Stitch N Craft)

Fireline 6lb

Silver magnetic clasp, jump rings.

The Miyuki Black Matte AB are a current favourite as they are a kind of navy blue base, and I’ve not been able to find another good match for navy. For some reason I am wearing a lot of navy at the moment and it is certainly easier to work with than straight black.

Tips

I did 30 repeats as per the instructions, and it fits very nicely. The finished beadwork measures 20cm (without the clasps) although do bear in mind I am quite a tense beader.
On that note, relax, relax, relax your tension, particularly for the base layer. For me that means beading in a way which felt baggy, floppy and downright messy, but you need plenty of give in order to add the embellishing layers. This is common with embellished RAW pieces.
Otherwise as usual Sabine tells you everything you need to know……..

Next steps

Another good relaxing project, like the Faux Cro, I’m definitely going to make another one of these when I have assembled enough Fire Polished beads (it does use quite a lot). Perhaps this time I’ll go a bit wilder with the colours (I’m thinking some sort of outrageous red, pink and orange with lime highlights again). Or perhaps something bright but wearable instead.

And I’ve got the pattern for Sabine’s Tweed bracelet to do as well yummy yummy. Sabine has also put together some beautiful kits, and one day I will definitely treat myself……..

A quick comment about ordering from abroad before I get told off for listing MoreBeads4U: I usually try to stick with local suppliers – although sadly I don’t have any ‘normal’ bead shops selling teeny beads locally, I use UK mail order shops where possible (mainly Stitch N Craft and Robins Beads). However wonderful they are though, it isn’t possible for them to stock absolutely everything I need, and I have now found (through Etsy) a super supplier in Latvia for Czech beads (links above) – reasonable and prompt postage, and pretty much every colour and size of fire-polished beads I could want, competitively priced. So while I continue to use and support my lovely UK suppliers when they sell the colours and shapes I need, and will always look here first, I do sometimes have to go elsewhere. I don’t take this lightly, as shops like Stitch N Craft are so wonderful for the beading community – their class programme is probably the best in the world, they are very supportive of the Beadworkers Guild and bead groups and their range is absolutely wonderful. So their website will always be the first one I go to so that I can support them in return.

Of course one day I will open my own bead shop, sell everything I want and consequently go bankrupt in a year. But it will be fun.

Curizo

I love Sabine Lippert‘s work – the techniques she uses are incredibly clever but often simple to bead, and the results are wonderfully exuberant, beadtastic pieces. When she created her Rizo beads a while back I bought a copy of her Curizo design so that I could use them in the way she’d intended, and I fell in love with it. So much that I made another, and then when I needed to put something together in a hurry for a wedding this weekend, another. They’re quick to bead – 3-4 hours for me, and use my current bead binge favourite chatons. And I love them, and other people love them (although the smallest boy sadly loves them so much that he bust the chain on the white one last week).

Recipe

Turquoise – Opaque turquoise rizos, opaque olive 3mm fire polished, crystal AB Swarovski chatons and 3mm bicones, silver duracoat miyuki seeds.

White – Opaque matte white rizos, opaque lime 3mm fire polished, sunflower Swarovski chatons and 3mm bicones, silver duracoat miyuki seeds.

Grey and Opal – Brown Iris Matte rizos, silver 3mm fire polished, white opal Swarovski chatons, white opal czech small teardrop beads.

Tips

I don’t have many tips for this one, it’s really very lovely to bead and works perfectly. I quite like to thread the chain or cord through the whole finished piece (as I did with the white and lime version), although that then leaves you with quite a short piece. For the grey and opal version and the original turquoise I’ve added a loop – the former needs to go with a specific dress with quite a low neckline, so long was the only option.

If you’d like some matching earrings like my turquoise ones, simply complete the flower shape and capture the chaton, then add a loop to hang.

Variations

For the final version, in the step where you would add fire polished beads and crystals I simply used fire polished, and then in the final joins I put Czech drops where the fire polished would have been. I did this because I didn’t have any 3mm bicones in the right colour (and have bought far too many beads lately so didn’t want to buy any more). On reflection the drops don’t really go with the rizos I used, and the cube shape is more visible (the others look more like a ball which is easier to wear), so I wouldn’t necessarily recommend this variation.

And next…..

Some lovely Heliotrope chatons have just arrived from the States, and I’ve got some fab neon Rizos (Robin’s Beads), and neon fire polished beads (More Beads 4 U – Etsy) – quite a flambouyant Curizo this time.