National Beading Week

Here in the UK the Beadworker’s Guild’s National Beading Week will begin tomorrow (25th July).  There are lots of activities all over the country, at Bead Groups and in shops, but as I am a bit constrained by work and it bring the school holidays, I’m joining the beading community remotely in a few different ways.  Firstly, I’m taking part in Jean Power’s Secret Bead Along – I’ve completed my prep work which you can see at the top of this post with my beads all ready, and a bit of day 1 (a bit early but I couldn’t wait, photos tomorrow).  As you can see I have chosen very subtle colours.

Anyway, you can read all about it on Jean’s site or read my blog post containing the details here.  I’ll be popping a quick blog post out every day to show progress, and you can follow lots of other beader’s work on the Secret Beadalong Facebook group which Jean has set up.  Over 4000 beaders worldwide have signed up for this, which is absolutely amazing – Jean has done an amazing thing and it’s really very exciting and inspiring taking part.  For me the lovely thing is knowing that so many other beaders will be working on the same piece at the same time.  That includes that my little sister Susie Hoad, who I taught to beadweave a few years ago and got hooked on Jean’s work.  She is now a designer and teacher in her own right, and we plan to finish the last day’s beading together next Saturday, which will be just lovely.  Being Susie she is doing two colourways  (but she is a teacher so I guess she has nothing to do now school has broken up – or could it be that indecisiveness runs in the family?).

Secondly I’m going to kick off a project for this blog to celebrate the awesome range of beadweaving going on around the world – ‘Beading Beaded Beads’.  I’m going to be coming back to one of my original reasons for blogging – to show, review & comment on tutorials and patterns by other designers (as well as writing about my own original work).  I’ve put together a range of beaded beads, some from books & tutorials I already own, some from free tutorials, and some of my own designs, and the idea is that over the coming months I will focus on beading them.  I’ll be working from my stash, so I’m going with two colourways (as even my stash won’t accommodate the range of beads required to complete the various designs in one colour scheme) – bright fuchsia, lime, scarlet and orange, and fuchsia (again), indigo, cobalt and a bit of silver and gunmetal.  Hopefully I will end up with two very spectacular necklaces.  You can see the initial cut of designs on a Pinterest Board here, if you have any suggestions (or designs you’d like me to road test) then comment here or on Facebook and I’ll give them a try too.

I started beading earlier this week, and was hoping to have the first beaded bead to show off for the start of National Beading Week, but sadly the first beaded bead did not go well.  Out of fairness to the designer I’m going to have another go before I post about it………….probably just me being tired and being a bit of a tight beader.

May the 4th be with you……

Ok, so it probably won’t still be May 4th by the time I post this, and to be honest I’m not really a big Star Wars fan.   I mean why does Yoda keep saying ‘you are wise young Jedi’ to Anekin – he’s clearly not even slightly wise, since he got his girlfriend pregnant and changed the fate of the universe – use contraception you twit?  That said, DH is a fan, I do like the concept of Star Wars day, and I have this awesome Icos pendant by Jean Power to tell you about which reminds me of the Death Star.

As usual it was a lovely design to work, there’s one tricky bit at the corners of the outer puffs, but once you’ve cracked that it goes together very nicely.  I would really really love to do one with crystals – it will look fab and be even quicker, but for now I’m really pleased with this one.  I don’t have anything to mount it from yet – I’m undecided as to whether to bead a loop.  Jean uses a wire loop on what I assume is a headpin, but since I didn’t plan ahead and put it in before I zipped up the final seam I will need to either come up with an alternative or unpick a bit.  I’m going to wear it with a purple tunic I live in at work during the winter, so I have a while to decide, now the weather has improved at last.

Recipe

Jean Power’s Icos pendant tutorial

10g of Miyuki delicas:

1005 Metallic Purple Gold Iridescent (C1 & C2)

463 Galvanised Dark Magenta (rows 1-3 of C3)

422 Galvanised Fuchsia (rows 4&5 of C3)

Tips

If I had been more organised I would have used a cheaper finish delica for the inner rows of the base triangle (Jean does point out that these rows won’t be visible and labels them C1, but I was away and only had the three colours with me).

What’s next

My next version might be in 15s – using 11s makes a nice bold pendant, with a finished diameter of 35mm, but using 15s will make something quite exquisite.  I will save that for some daylight beading though as teeny beads hurt my eyes – so perhaps first I will do a crystal version.  Jean still has some crystal sets, and Perles and Co have stock in a few colours (Swarovski seem to have discontinued this shape).  Alternatively I’m feeling quite bold at the moment and have some new yellow sandals, so perhaps I’ll get Jean’s yellow plastic stones and work up a vintage colourway…………

Kissing Piggies

The boys have a picture book filled with photos of pigs.  Piggies sleeping, piggies leaping, piggies guzzling, piggies nuzzling, and piggies kissing.  So when I finished my new bezel, which surrounds a luna soft cabochon with facing pairs of two hole ‘Piggy’ beads, no other name would do.  The bezel came about because at the last Big Bead Show I found myself ambling around with nothing to buy – it’s more of a stringer’s fair than a beadweavers, and although there are some great teeny bead suppliers in between the big bead stands, I wasn’t really seeing anything new.  So I started looking at all of the new bead shapes which I had hitherto resisted – the two holes, the funny dragon scales, rullas & pellets, and I picked up a pack or two of each, (discovering along the way a new supplier, The Old Bicycle Shop, who I can heartily recommend for their interesting selection, £1 postage and quick delivery).  Then they sat in my stash for a few months whilst I dealt with going back to work, Christmas, and sickly children.

Kissing Piggies - Copper - Sarah Cryer Beadwork
Kissing Piggies – Copper – Sarah Cryer Beadwork

Finally a couple of weeks ago I dug out the piggies, some superduos and a lunasoft cab and made myself keep trying until I came up with a decent design.  I’m pleased with the finished design, it’s nice and simple and should be suitable for beginners who’ve tried a bit of RAW and peyote and have tension sorted.  That said, it took a fair few attempts and a good many failures to get to something that would work as a tutorial (or work at all), so banning myself from doing anything else until I had mastered it was definitely necessary!  I had the picture in my mind of the snuggling pairs from the beginning, so started from the outside and worked in – I can safely say that this does not work as a method, it was only once I gave up on that and designed a bezel that would have space for the piggies that things came together (although arguably without trying the outside in approach first I wouldn’t have known how much space to allow…..)

Eventually with the help of an MRAW starter (thank you again Contemporary Geometric Beadwork beaders – Jenny Sangster explains it very nicely on her blog)I mastered it, and it’s finished, written up & checked.  As usual I’ve stuck with diagrams rather than just photos (as I find it’s worth the time to draw the diagrams to ensure that everything is absolutely clear, and it helps me check my placements and thread paths as I draw them), and every step is also written out.

Kissing Piggies - Jet Azurro - Sarah Cryer Beadwork
Kissing Piggies – Jet Azurro – Sarah Cryer Beadwork

So anyhow, it’s available now as a tutorial – instant download from PayHip & Etsy, and e-mailed from Folksy, all at £6.  And in a fit of extraordinary organisation, I even have materials packs ready to rock and roll from Folksy and Etsy at £10 (UK only, sorry but I can’t get to the Post Office for overseas posting at the moment, and I think you’d find it uneconomic for a £10 pack anyway).  It beads up in around an hour, and uses nothing smaller than an 11 (and only three rows of them) so nice and relaxing.  Stick Sewing Bee on the telly and get beading!

Kissing Piggies - Sarah Cryer Beadwork
Kissing Piggies – Sarah Cryer Beadwork

Materials Packs for Baroque Tape Measure Surround

Just a quick post to let you all know that I’ve put together some materials packs for the Baroque Tape Measure Surround.  Two colourways which I’ve beaded up previously, including the original Bronze & Fuchsia, plus two completely new colourways never yet made, so they will be completely unique.  They are available here on Folksy (Bronze & Fuchsia; Bronze & Capri Blue; Silver, Red & Turquoise, Gold & Scarlet) and here on Etsy.  For choice I’d love it if you used Folksy as they are very nice and I’m really, really upset with Etsy about their behaviour to sellers around the whole EU VAT thing…… more about that another day.

Baroque Tape Measure Surround 2

Now I’ve got a good stock of tape measures and those elusive 2.8mm drops I’m more than happy to put together custom materials packs for you – just drop me a message/comment with a colourway request and I’ll have a beady play.

DSC_0691DSC_0666DSC_0685DSC_0683

Although these are listed for UK sales only, I’m happy to discuss and set up overseas postage – be aware that now I’m back at work I can’t get to the Post Office as easily for overseas posting (for UK posting I’ve carefully planned these as letter post size to avoid that trip), but if we have a chat I can let you know what to expect.

Faux cro rocks!

For several years I have been eying up the photos on Jean Power’s website of her ‘faux bead crochet’ bangles. Now I love the appearance of bead crochet, but I’ve had several goes at doing it which have always ended in tangles, uneven work and tears. I’m sure it’s lovely and quick once you are expert, but for me it is incredibly slow, and combined with the absolute tedium of threading all the beads on before you even start I feel it’s not for me. However it does make the most beautiful beaded ropes, so a fake version using beadweaving techniques I’m familiar with seemed worth a try. Staring at Jean’s photos repeatedly over many years sadly did not reveal her secret, and though Jean has been teaching it as a workshop I’ve never been able to go. So when her recent newsletter announced she’d released a tutorial I grabbed one straight away (the joys of instant downloads). Reading through revealed I had been a numpty, as her solution is elegantly simple, but there is much in the tutorial that I would never have worked out even after years of playing, particularly the joins, so it was well worth the money to skip the experimentation and go straight to a very refined solution. All I need now Jean is to work out how to split the rope into two or three so I can do branches please?

Anyway I’ve made so many bangles lately that I thought I would instead make something more like a lariat, but I ran out of beads (poor planning) so I’ve made a short rope with increases at either end to form frilly cones (a la CGB 1 although using Jean’s stitch with increases, not their technique as it didn’t really work for me).  I then threaded a wire through the middle so the piece can be sculpted into a choker, bracelet, whatever. The simplicity of the design and technique made it a very relaxing, stress busting kind of piece to make, so I think I will be using this technique again soon.

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Recipe

  • 20g of red striped frosted crystal size 8 seed beads – mine were from Beadworks
  • 1g of opaque scarlet miyuki size 8 seed beads – 407 from the Bead Merchant
  • Red miyuki KO thread
  • 65cm 1mm silver plated wire

Tips

  • Read the instructions all the way through. Jean explains the theory as well as giving step by step instructions so you will be better equipped to improvise and add your own touches, as well as to complete the projects she details.
  • If you are not used to the basic stitch Jean uses, do a flat square sample first so you can get your technique (particularly tension) sorted.
  • Use big beads. There are some extremely beautiful bead crochet works out there using teeny weeny beads, and this technique will undoubtedly work extremely well for those, but you need to practise first. I would definitely heed Jean’s advice and start with 8s.
  • Make sure you have enough beads as this lovely speedy technique will munch them up quite quickly – 20g made a 5 around rope (probably the thinnest you can do with size 8s) 70com long.  So I’d reckon at just under 30g for a 1m rope which would make a versatile long necklace or lariat, and you should get a bangle out of the standard 6g tube of 8s.   You can always do a sample of say 10cm and then weigh it to estimate.
  • The slightly more organic appearance of crochet or faux crochet with 8s means this is a really good way to use up those beautiful but sadly wonky and uneven seed beads you bought all those years ago before you discovered the easy uniformity of Japanese beads. And you can also use the beads you bought for kumihimo but couldn’t use because the holes were too small for the bigger working thread (although you can use thicker threads for this technique and make a feature of them if you want, just like bead crochet).
  • Wiring the piece allows me to sculpt it each time I wear it – it would look very nice with the wire poking out and drops or rizos dangling from jump rings attached to a loop at the end

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What’s next?
In theory you can use this technique for any bead crochet type piece – there are some amazing patterned ropes out there and I can’t wait to try.   Have a look at my Faux Cro Pinterest board for some ideas if you’re interested.

I’d also like to try working round a core of cord or tubing so that I can tie on and bead over some feature beads, and I will have to find some quiet time and work out how to split the rope so I can do branching designs.

My first tutorial

Last year as part of the Stitch ‘N’ Craft Chatelaine Challenge I made a tape measure cover, and I was so pleased with it that I’ve now written it up as my very first tutorial.  My lovely sister Susie has tested it out, and my lovely husband David has helped me to make the file small enough, so it’s now available as an instant download through Etsy.  I hope shortly to get some kits listed as well.