Boy 2 and I popped up to Tate Britain yesterday to look at the incredible Late Turner exhibition. The paintings and sketches were as ever extraordinary, and in one room my eye was caught by a description which talked about criticism of Turner’s apparent ‘chromomania’. As I stood surrounded by glorious paintings I almost laughed – what was a narrow minded criticism then seems like a huge compliment now. If you are in London, go see, and rejoice in the exquisite use of colour. And if you do go, pop along to see the earlier Turners and enjoy Olafur Eliasson’s fascinating colour studies – very interesting. I will of course be using ‘chromomania’ as my new beading watchword………
Since I had the pliers out yesterday I finally got round to adding a clasp to a Sabine Lippert piece I finished beading a while back. It’s a Baroque Dimensional Bracelet and instructions are available for download from her website, and the simplicity and repetition made it a really lovely piece to make – but of course as with all Sabine’s pieces it looks absolutely amazing. It curves beautifully – both around the wrist and across the width of the piece, making it seem lovely and fat and chunky. Very pleased with this one.
Fire polished beads 4mm Matte purple iris (from Etsy More Beads4U)
Fire polished beads 3mm Purple iris (from Robins Beads)
3.4mm drop beads Miyuki 401FR Black Matte AB (from Stitch N Craft)
Size 11 & Size 15 seed beads Miyuki 401FR Black Matte AB (from Stitch N Craft)
Silver magnetic clasp, jump rings.
The Miyuki Black Matte AB are a current favourite as they are a kind of navy blue base, and I’ve not been able to find another good match for navy. For some reason I am wearing a lot of navy at the moment and it is certainly easier to work with than straight black.
- I did 30 repeats as per the instructions, and it fits very nicely. The finished beadwork measures 20cm (without the clasps) although do bear in mind I am quite a tense beader.
- On that note, relax, relax, relax your tension, particularly for the base layer. For me that means beading in a way which felt baggy, floppy and downright messy, but you need plenty of give in order to add the embellishing layers. This is common with embellished RAW pieces.
- Otherwise as usual Sabine tells you everything you need to know……..
Another good relaxing project, like the Faux Cro, I’m definitely going to make another one of these when I have assembled enough Fire Polished beads (it does use quite a lot). Perhaps this time I’ll go a bit wilder with the colours (I’m thinking some sort of outrageous red, pink and orange with lime highlights again). Or perhaps something bright but wearable instead.
And I’ve got the pattern for Sabine’s Tweed bracelet to do as well yummy yummy. Sabine has also put together some beautiful kits, and one day I will definitely treat myself……..
A quick comment about ordering from abroad before I get told off for listing MoreBeads4U: I usually try to stick with local suppliers – although sadly I don’t have any ‘normal’ bead shops selling teeny beads locally, I use UK mail order shops where possible (mainly Stitch N Craft and Robins Beads). However wonderful they are though, it isn’t possible for them to stock absolutely everything I need, and I have now found (through Etsy) a super supplier in Latvia for Czech beads (links above) – reasonable and prompt postage, and pretty much every colour and size of fire-polished beads I could want, competitively priced. So while I continue to use and support my lovely UK suppliers when they sell the colours and shapes I need, and will always look here first, I do sometimes have to go elsewhere. I don’t take this lightly, as shops like Stitch N Craft are so wonderful for the beading community – their class programme is probably the best in the world, they are very supportive of the Beadworkers Guild and bead groups and their range is absolutely wonderful. So their website will always be the first one I go to so that I can support them in return.
Of course one day I will open my own bead shop, sell everything I want and consequently go bankrupt in a year. But it will be fun.
This is so very helpful – if we all did this Pinterest would be an even more useful place! Thank you Westcott jewellery.
Despite the fantasy novel title, this post is about something pragmatic and useful – finding and crediting original designers of jewelry on the internet!
We’ve all experienced the annoyance of finding a picture of a beautiful piece of jewelry and having no idea where it comes from. This is frustrating both for the beader looking to buy a pattern and for the designer whose work is floating around the internet without credit. Luckily, there is an easy way to solve this!
I have noticed that Pinterest in particular tends to have a lot of dead pins (pictures without sources or designer credit), so I’m going to use Pinterest in my example. This method will work just as well for any situation where you need to find the original source of a photo, though.
So, let’s say you are scrolling around Pinterest and you see a bracelet that you just love.
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I love Sabine Lippert‘s work – the techniques she uses are incredibly clever but often simple to bead, and the results are wonderfully exuberant, beadtastic pieces. When she created her Rizo beads a while back I bought a copy of her Curizo design so that I could use them in the way she’d intended, and I fell in love with it. So much that I made another, and then when I needed to put something together in a hurry for a wedding this weekend, another. They’re quick to bead – 3-4 hours for me, and use my current bead binge favourite chatons. And I love them, and other people love them (although the smallest boy sadly loves them so much that he bust the chain on the white one last week).
Turquoise – Opaque turquoise rizos, opaque olive 3mm fire polished, crystal AB Swarovski chatons and 3mm bicones, silver duracoat miyuki seeds.
White – Opaque matte white rizos, opaque lime 3mm fire polished, sunflower Swarovski chatons and 3mm bicones, silver duracoat miyuki seeds.
Grey and Opal – Brown Iris Matte rizos, silver 3mm fire polished, white opal Swarovski chatons, white opal czech small teardrop beads.
I don’t have many tips for this one, it’s really very lovely to bead and works perfectly. I quite like to thread the chain or cord through the whole finished piece (as I did with the white and lime version), although that then leaves you with quite a short piece. For the grey and opal version and the original turquoise I’ve added a loop – the former needs to go with a specific dress with quite a low neckline, so long was the only option.
If you’d like some matching earrings like my turquoise ones, simply complete the flower shape and capture the chaton, then add a loop to hang.
For the final version, in the step where you would add fire polished beads and crystals I simply used fire polished, and then in the final joins I put Czech drops where the fire polished would have been. I did this because I didn’t have any 3mm bicones in the right colour (and have bought far too many beads lately so didn’t want to buy any more). On reflection the drops don’t really go with the rizos I used, and the cube shape is more visible (the others look more like a ball which is easier to wear), so I wouldn’t necessarily recommend this variation.
Some lovely Heliotrope chatons have just arrived from the States, and I’ve got some fab neon Rizos (Robin’s Beads), and neon fire polished beads (More Beads 4 U – Etsy) – quite a flambouyant Curizo this time.
Why is it that I work so much better under pressure? Or is it that I just think I do because I am a hideous procrastinator and it makes a good excuse? Either way I have had nearly a year to get my four pieces done for this years Stitch ‘n’ Craft Four Seasons challenge, but with a week to go I was still faffing around with the construction of Autumn. Pretty fundamental stuff…..
Anyway, I gave up at about 10.30 on Friday night, and in the cold light of day (OK the very warm and humid light of yesterday) I’m reasonably content with the pieces as a whole and my final work on Autumn is just fine. I can’t show you any of them properly as that would spoil things, but there is a taster above. All peyote pretty much (have reverted to my beadweaving roots), and only one piece using delicas (so running away from my roots there). I labeled them up last night while dear husband was at a glamorous party, so tomorrow morning I need to scribble a quick note about presentation (‘please put necklace on bust, looks a bit odd otherwise, don’t really mind about the rest’), and then pack them up ready for posting. And then I am free – at least for a couple of days and then back to prepping for the Folksy featured shop and coping with the school holidays.
So for this year at least I can bid a fond farewell to the four pieces that took over my beading life – adieu to ‘Crystal Garland’; ‘Tumbling Leaves’; ‘A ********* for Oscar ‘ (sorry, can’t give you the full name because it spoils it); and ‘The Very Hungry Caterpillar’. Bye Bye.
PS I rather suspect dearest husband would rather I didn’t enter next year – something to do with stress, obsession – not sure? He may be right because it does rather completely take over, but I’m reserving judgement until I know what next year’s challenge is……….sorry darling, and happy 7th wedding anniversary my sweet. XXX
The lovely people at Folksy mailed me today to let me know that they’d featured one of the pieces from my Folksy Shop on their Facebook page, and that it had generated lots of interest. It was the lovely Jean Power designed collar I laboured over for so long last year, and is a very stunning piece and much deserving of all the attention (although the credit really needs to go to Jean for the design). I’ve only sold one piece since I put the shop together 3 years ago, but their single photo post generated over 600 views for the item which needless to say is a very very significant uplift. No buyers, but I’ve never been convinced I want to sell it anyway……….
Even more scarily they have asked me to be a featured shop later next month. This is very exciting, but also pretty terrifying. I’m going to have to knuckle down to get the shop ready to make the most of this opportunity, which means getting as many completed items listed as possible, ordering more packaging, and sorting through all those nearly finished pieces to see what might work. Plus I need to put together stuff for the feature itself, and actually think about why I bead in the first place……scary.
But first I must must get that Stitch N Craft challenge piece finished and post the whole set off as the deadline is starting to loom and having worked so hard I can’t bear to miss out on entering. If number 2 child could finish cutting his third and most painful tooth I would be really grateful.