Buying on Etsy

As an Etsy seller I like to support fellow makers and suppliers, so as I can’t show you much of my current beading I thought it would be nice to look at some of the lovely things I’ve bought from them recently.

Nicole at Cloud Craft Sells lovely crafty things, and has some cracking ribbons – the pink fluorescent edges are rendered quite tasteful by the beige centres, and will work well with a version of my spiky beaded bead I have planned in tarnished platinum and neon pink.  The other two cotton ribbons will also support beaded beads, probably from last summer’s project.  It’s nice to find matte finishes like this – they work well with matte and tarnished beads, and tie well (unlike slippery satins).  Looking at her shop to write this post, I can see an interesting wooden cross stitch base which it might be fun to bead on as well…………


Some of you know that a while back I treated myself to a three month subscription to the CuriousityClub, from the Curious Bead Shop and this is my final pack.  I’ve enjoyed the surprise each month, and the beads are quite lovely. They are though a bit big for me, so I’ve found them tricky to use, and need to work out how to incorporate them into my usual work.  The colours are also more subtle than I usually go for, so I will try to be disciplined and won’t be renewing until I’ve actually used some of these. Instead I’ll perhaps hunt out a new monthly box, beady or otherwise, as I’ve really enjoyed the treat of these, (and before them the Lucky Dip Club) popping through my door.  It’s such a joy to come in from a hard day at work, or a hectic, wet school run, and find a little box of lovely surprises all for me.


To use the beads from previous packs, I’ve invested in a few more of Rachel’s lovely waxed Irish linen threads – in two weights.  They’re really interesting to work with, as they are firm and very waxed, and really hold their knots.

And of course I got a few additional beads in Sarah colours as well!  Some lovely etched magic blueberry farfalles down the bottom:

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In case you were wondering, I don’t just buy beads and craft supplies on Etsy – I’m trying more and more now to ‘buy handmade’ for other products.  When boy 2 spilt yellow smoothie on my lovely raw wool iPhone case recently, I had an excuse to buy another one from Pack and Smooch – this time in red (it will be easier to find in my calico lined giant handbag).  The old case has protected my precious phone valiantly from drops and knocks, and absorbed the smoothie so well that the phone inside was quite dry.  And ironically when carefully wiped clean, the old one is yellow-stain free (but I’d already ordered a replacement at that point).  It’s a super case, looks good, works very well, and it’s a pleasure to buy a handmade product from an individual or micro-business – lovely quick, pleasant service.

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And a recent mailing from Etsy which mentioned ‘Eco Jewellery’ intrigued me enough to make me click through – once I’d filtered to UK sellers to get rid of the US bias, I found these lovely earrings and bangles from MadeInTheForest.  I also bought some fab peacock feather earrings.  Obviously I don’t normally buy jewellery, I make it, but these aren’t something I would know how to make, were well priced, and they are such fun to wear as they are bright, unusual and light as a feather.

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They got me thinking about replenishing my supply of sari ribbon – I’m using it more and more to hang pendants, as I’m finding it increasingly difficult to source interesting ready made cords  and chains that are of a good quality, but won’t impact the price too much – and I’m increasingly yearning for something more unusual, funky or individual which will complement my work, rather than hanging a hand made, unique piece from a generic, mass produced cord or chain.  That led me to YarnYarnYarns, and some lovely bundles of sari ribbon, plus some mixed hand dyed yarns as well.  When they arrived it was a lovely surprise to find them in a beautiful silk drawstring bag – so kind.  In the past I’ve done a kind of giant kumihimo braid to make bangles with this type of fabric, so I’m looking forward to perfecting that technique and maybe even working up a really chunky collar (with beaded embellishments of course).

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And finally, Etsy in it’s wisdom then took ‘silk’ ‘ribbon’ and ‘hand-dyed’ and suggested I have a look Scahalrausch.  Usually Etsy’s suggestions are a bit unhelpful, as they tend to be for US based sellers, so mean prohibitively high shipping rates and pesky customs delays and fees, but as this seller is based in Germany, shipping to the UK was perfectly reasonable, and for now at least (Vote Remain please!!) no customs issues.  These hand dyed rolled silk cords are absolutely exquisite, and I am finding it hard to stop myself buying a length in every colour in the shop.image

Bye bye – hopefully I’ll be posting about beading again soon.  I have my Jean Power Secret Beadalong colours to pick after all………..that should be worth about 5 posts as I change my mind constantly.

In search of beady perfection.

Recently I’ve not had enough time, or indeed energy to bead as much as usual. Space birthday parties, work, gardening, singing, 2 year olds who won’t nap any more, and life in general have got in the way, and despite strenuous efforts to create time (which largely consist of ignoring the housework), my beading time has suffered.

On top of all that, as some of you will remember I’m entering the Stitch N Craft Butterfly Challenge this year, and I made a rather rash promise to myself that I would ensure that the finished piece was the very best it could possibly be. In previous years I’ve met the brief, but run out of time or energy and haven’t been entirely happy with some of the compromises of technique or style I’ve made to get the pieces done – you can see my set for the ‘Four Seasons’ challenge above, and although I was contented with most of the pieces, it’s only the rattle (which was a real labour of love in terms of reworking) that I truly love.

So what should have been a simple, understated piece (and still is) has become a ritual sacrifice to the beady goddesses of perfection, reworked and tweaked so many times that I’m starting to be a little fed up with the sight of it.  It’s been an incredibly inefficient creation process – not that beadweaving is ever quick, but this one takes the biscuit.  I have only three tasks left on it now and I can’t quite bring myself to do them.  First I need to add the final elements (which I beaded ages ago, then ripped apart, then beaded again, then added to the main piece, then took off again – you get the picture).  Then I need to hide the tiny Swarovski butterfly provided somewhere on the piece (I’m thinking of hiding it in one of my hairy beaded beads), and finally I have to search out all of the sketches and notes I’ve made along the way, plus the photos I took in the sand dunes last year when I got my original inspiration, and somehow compile a journal of the evolution of the piece to send in along with the actual beadwork.  Oh and I need to work out how I would like it displayed and get any materials required, as I know that has let me down in the past.  I can’t show you the whole thing, as it is after all a competition piece, but I think I can safely reveal a few piles of beads and give you just a flavour of the variations and multiple attempts for the beaded beads that form about 10% of the final assemblage!  I think I have beaded about 20 in all – I only need six for the final design and I have unpicked most of the ‘slightly wrong’ ones, although you may see some mauve and silver beaded beads appearing in my shop soon!

For my own sanity I think I need to do as much of this as I can this week – which seems foolhardy given that it is the school holidays and I am being gradually worn out by the boys, and that I am also singing Belinda in a production of Dido and Aeneas two weeks today, have nothing to wear and haven’t quite managed to learn the music or blocking yet.  This has been exacerbated by the Beadworker’s Guild announcing that their Challenge theme next year is ‘Totally Tropical’ – I have a completely lush idea that I really want to start playing with, but really mustn’t until I’ve finished the butterflies, the tutorials, and maybe even a couple of UFOs…………………..oh dear.  And Sewing Bee has started again, so I really want to sew now as well (I do need to make Belinda’s cloak tonight so at least that itch will be scratched)!

From Petal to Pod – my beginnings (featuring some really big beads)

Prompted by Facebook chat with the lovely Cath Thomas, and inspired by her new ‘Petals to Pods’ project, I stole the boy’s fake Hama beads and made my first petals.

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Cath’s technique is really clever, works up quickly and easily and has loads of potential for organic forms. Sadly Hama beads do not – too square and clumsy unless you truly scale up.  This is what Cath plans to do, and recently we saw an amazing example from the always imaginative Kris Empting-Obenland – her extraordinary fag bag.  However, trying the components this way though has allowed me to get the hang of them quickly, to learn that I’d like to spend some time with them, and to give me some ideas as to direction.  My plan is to try using size 8 seeds next to create some dramatic 3 petalled pods (lots of people are already doing marvellous flowers, so I’m going to branch out into pods).
At the end of the evening I thought I’d have a play with my old friend the Fortune Teller bangle – I used a modified RAW Rick rack start, with five repeats of five.

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This on reflection may not have been the right size (I have always struggled to size these, and this one will currently go round my wrist about three times), but looking on the bright side, I don’t think a standard Fortune Teller would have worked later anyway, as these beads are far too square and chunky to form elegant horns.

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So when I have time I will have a go at using this base to work up an entirely new shape, which may be a disaster, but will also be a useful creative exercise/learning opportunity.  And because it only takes 5 minutes to do a round, instead of many times that with delicas, I can learn those lessons nice and quickly!  And as previously, if the sizing can’t be rescued, I can zip up one side to make a bowl.……….

 

More UFOs

Last week I was hunting for my wire box (which should have been labelled, but the small people like to take the labels off, presumably to make life more fun), when I happened upon the UFO box. This should really be called the failure box, since this is where I put things I’ve given up on (genuine UFOs which I intend to finish live in a different box in a different room, and I’ve already blogged about them and done nothing to them since).

Amongst a tangle of hopeless failures and technical disaster zones I found several viable pieces, which I think got thrown in there in a hurry when I was clearing my stuff out of the spare room before we had the smallest boy.  As he is nearly two and a half you can see it’s been a while since I looked in there, so it was a pleasant surprise to find so much usable work! There were also some lovely beads and a finished pair of earrings……..

In no particular order we have:

  • The black net base for a Racel Nelson Smith Ootheca cuff.

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  • Part of another Rachel Nelson Smith piece in lovely earth colours.
  • A finished black and white hollow cube – a sample with more zip beads on the corners than I now do, so an early point in the evolution of this series, but I now think rather fun.
  • Some lovely mushroom beads, and a pair of earrings made from them.
  • A couple of salvageable beaded beads – the giant pewter ones has issues at either end, but can be embellished to hide them, and the blue one was an attempt at using RAW which didn’t go well, but will be fine as an Anenome base.

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  • The teeny ones were going to be part of a big piece, but bored me.  They will now be a nice little pendant, hung as a trio.

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  • A khaki and copper attempt at a sea urchin design, which failed as an urchin but could make a rather nice hollow beaded bead.
  • A long piece of peyote with graduated delicas that simply needs zipping round a wire core to make a necklace.
  • Assorted beads, stones and bits and bobs.

I did find the wire in the end, but got distracted and haven’t used it yet. Tomorrow…….

 

Canva

Etsy have redesigned their site, meaning that we all have to make new banners and other graphics. They recommended Canva, which is fun but poorly tested and weirdly inconsistent across app vs desktop, which is somewhat infuriating for an IT professional. After some swearing I’ve got the hang of banners, and have been playing with other layouts, and I’m starting to enjoy it.

So you will seeing a lot more of this type of thing from me (until I get bored, which will probably be soon). Anyway, the point of this bit of playing was to create a reminder that there is a sale in my Etsy and Folksy shops, with six gorgeous colour ways of my Baroque Tape Measure Materials Pack up for grabs (among other lovely things).  Apologies for the weird instagrammy effects, I haven’t yet worked out how to get rid of them……….

Multi-tasking

Yesterday the boys were ‘painting’ and I thought maybe this was an opportunity to make the Tatty Devine kit I bought through Lucky Dip Club last year.   Tatty Devine make fantastic and funny acrylic based jewellery – I lust regularly after their extraordinary dinosaur necklace, gin bottles, and double decker buses.

I’ve previously worked with shrink plastic and am planning to get into that again, and although this used acrylic components they’re pretty much the same at the assembly stage, so I felt that this would be a useful test of whether I enjoy this kind of assembly.  Plus I’ve had it for ages and it will go with loads.

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It went well to start off with – it’s not a taxing kit as you simply have to open and close a few jump rings. The boys and I created together for a while quite happily – watercolour pencils aren’t too high on the messy play scale or so I thought.

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And then just as I thought ‘wow this is great, one day I might even be able to bead while they draw’ this happened……..

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Anyway, once that had been dealt with, I got the necklace finished.

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It’s pretty, was simple to make and looks like a ‘real’ Tatty Devine piece, so on the whole I’m pleased.

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The only step that gave me trouble was getting the smaller jump rings into the cut end of the chain – I’d have to say that this was a bit of a squeeze, and although the instructions warned me, and they probably work with this combination in their main product lines every day, I felt for a beginner kit a different chain would have been better.

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The kit wasn’t cheap at £40. However I’ve ended up with a gift boxed Tatty Devine necklace, and some pliers, and given that their ready made pieces run from slightly less to much, much more, all in all it was a fair price and an enjoyably simple and quick make.  I probably would have preferred something a little less floral, but it’s still nice and it’s sparked some ideas.

Sadly there are no more available, but if you’re in London you can make some similar pieces with them at one of their workshops.

The Sting

I’ve been working really hard on a competition piece recently, and after a month’s solid discipline I fell of the wagon last week and wandered off into other beading.  I’m sure the break will be good for me, but none of the other beading really worked and that made me rather antsy.  When this happens, there are two options – have a night off beading, or do something which can’t fail.  I didn’t want a night off, so I turned to my stash of digital patterns to find something by a designer who never lets me down – Sabine Lippert.  Just before Christmas she had a pattern sale, so I had a little splurge on a few patterns, including her pendant ‘Sting’.  This looked like something which would be achievable in an evening or two, so I pulled some beads and got going.

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It was a good decision – as always with Sabine’s designs this piece went together very nicely.  It took around 3.5 hours – I’m used to Sabine’s designs so can usually work them up quite quickly, and I found this one pretty easy, with everything just slotting together perfectly for a contented evening’s beading.  It’s given me my beading mojo back, and with some child free time off the day job coming up, I feel refreshed and ready to get some of those long awaited tutorials finished and launched soon.

Recipe

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  • 15 seed – Miyuki Duracoat Cranberry 4211
  • 11 seed – Miyuki Matte Silver Grey 2012
  • SuperDuo – Jet Gunmetal Pearl
  • Delica – Miyuki Matte Pewter 321
  • 3mm Crystals – Swarovski Paparadscha AB2 (slightly hard to find colour in 3mm – I got mine at a show from Gemstone Boutique)
  • Spikes – Dark Bronze.  I have no idea where they came from!
  • 3mm Round – I didn’t have any in the right colour, so I used some Saturated Fuchsia firepolisheds from Robin’s Beads, which worked well.
  • 6mm Round – I used an orange FP, this can’t really be seen so you just need something that tones in.
  • 14mm Rivoli – Chinese (not as fine a finish as Swarovski or Preciosa, so they don’t work with a tighter bezel, but a fantastic colour which neither of them offer and worked for this project – from the Southampton Bead Shop)

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The ribbon (I know it needs a press, it’s been lurking in my stash for ages) was hand dyed by Stef Francis, a fantastic space dyer who I came across in my sewing days.

Tips

I usually find my tension too tight for Sabine’s pieces, because of the 3D embellishments and layering.  So I relaxed things a bit, but unfortunately I shouldn’t have done as this is one which requires stiff tension to create a solid rod of peyote, so it came out a bit floppy.  However, I have stuck a head pin down the middle and it’s fine!

Sabine does warn you about this in the blurb on her site, but not in the pattern.  Because I’d bought the pattern a while ago, I’d forgotten what the blurb said, but to be honest a beader of my experience should know that if you want to make a peyote tube rigid you’ve got to do some pretty solid stitching, and use a suitable thread – Sabine recommends Fireline explicitly in the materials list (which should have been another clue) but I’ve gone off it a bit, so I used KO which is clearly not going to give the same rigidity.  So entirely my fault, but a useful learning experience (just when you think you have things sussed…..), and it still looks fine.  If I make this design again, which I probably will, I might perhaps stick a cocktail stick down the middle for extra stiffness anyway (the head pin I used is after all flexible).

Sting - Sabine Lippert - beaded by Sarah Cryer

Colours

One of my resolutions this year is to include more neutral colours in my beadwork – I have a tendency to chuck colour at things, which sometimes gives me an amazing looking piece which is completely unwearable.  I try to avoid beading with black as it’s hard work, and anyway I wear a lot of navy blue rather than black, so I’ve been using a lot of 401FR and similar to give me a navy base.  I’m also getting really into pewter, and other matte, mid greys, as they work well with the etched beads I’m currently obsessed with, so for this piece I chose a selection of those tones for the base beads, and variations on a dark salmon pink for the main colour.  I toyed with a few different spikes (which you can see in the materials picture), but in the end the dark metallic chocolate worked best. This was going against my instincts, which were to pick out the fuschia and orange of the stone, and maybe chuck in some zest, but I think it’s worked well and given me a striking but wearable piece, proving that this is a good resolution!

Conclusion

A lovely piece, well worth buying and trying.  Rock hard tension and the correct thread would have helped keep the main shaft rigid, so always read the instructions.  I’m going to get back to my own work for now, but next time I need a break I’ve got Sabine’s Toggle Ring tutorial to try.

 

 

 

Playing with forms

For years now I’ve been eyeing up my children’s tiny plastic toy animals – surely I could bead around one and make something really funky?  But I’ve been put off by two things- firstly they are really small and it would be fiddly (I know this is ironic coming from a beadweaver) and the ‘spare’ ones here are all creepy crawlies and I really don’t like them. We do have a giant octopus just crying out to be beaded but he is much too big.

So when I was in the local art shop (gorgeous Cass Arts) the other day and saw some small Decopatch creatures I thought ‘aha – they look fun’.  So I now own a lovely Brontosaurus – she’s small enough to be achievable, but big enough to allow me to work out some techniques in sensibly sized beads.  She’ll be an ornament rather than something to wear, but if she works I can try a smaller form next time – I’m seeing a range of necklaces made of tiny beaded T-Rex’s already…………….

 

 

Our Solar System

One of the best bits of winning an Etsy Beadweavers Challenge is that you get to choose a future challenge topic.  The first time I won (with my Nasturtium Ring) I chose ‘Architecture’, which prompted some lovely entries.  My second win, with my Wings Bangle for the ‘Abstract Painting’ challenge was last October and my space mad family chose ‘Our Solar System’ as a theme.  Because we don’t run a challenge in December, and because January is always ‘Rising Star’ (for new members and those who haven’t won a challenge), the team have had plenty of thinking and beading time, and there have been a huge number of really fabulous entries.  I’ve not entered because I did a Planets necklace a while back and was a bit stumped for a new idea – looking at the entries I wouldn’t have stood a chance anyway!

So, the brief I gave them was:

The Solar System

In our house at the moment we are completely obsessed with our Solar System. My husband has a new telescope which we’ve been using to look at the moon and planets, so he’s constantly coming up with new activities (last week we all watched the International Space Station whizz over us). Recently we saw a wonderful harvest moon, followed the same night by the lunar eclipse (so much better than last year’s cloud covered solar eclipse), and last week I opened my newspaper to see some extraordinary new images of Jupiter’s storms from the Hubble Space Telescope, so when it came to choosing a theme it seemed like the whole universe was shouting at me!

Anyway, our Solar System seems like wonderful inspiration for beaders – how about beaded beads making a necklace of  planets, a scatter of rough natural crystals captured in freeform beadwork forming the Asteroid belt, or some bead embroidery inspired by the twisting stripes of Jupiter’s storms? And if you get stuck you can always watch our favourite song for inspiration, or if you are feeling more sensible have a look at the Hubble website’s gallery (don’t get distracted by the far off nebulae though, please stick to our own Solar System).

I gave them a link to Thomas (5) & Oscar’s (2) favourite song:

And to the Hubble Gallery.

And this is what they produced – extraordinary!

Etsy Beadweavers Feb 16 Solar System entries

Here are links to the Etsy listings:

Thomas (5) is completely in love with Kris’ Rocket (no.2) – who wouldn’t be, and dear husband loves the other Chris’ spiral galaxy (no.9).  Apparently the fact that our solar system is shown in red is astronomically significant and that (as well as its’ loveliness) pleases his pedantic heart.  Oscar (2) is far too young to choose a favourite (he just says ‘beads’), and I can’t really say because it would be a bit inappropriate (although I think those of you who know me could probably narrow it down to three based on past beady fawning).  I’ll tell you all when the voting is over…………….

Anyway please, please do have a proper look through and then swing by the team blog before February 16th and cast your vote for your favourite – it only takes a second, and there is something for everyone.   Follow us on Facebook or via the blog to keep up to date with all of our shops and to be inspired by the challenges (next month’s is ‘Masquerade’), and if you really love one of these fantastic pieces, why not buy it and have it forever?

2016 beady to do list part 2 – tutorials

So here we are again – next on the list some pieces which I’ve started the tutorials for:

Oscar’s Bauble

This is a variant on Oscar’s Rattle, which was my winter piece for the 2014 Stitch N Craft Challenge, and I think I’d started work on the instructions in late 2014 but abandoned them as it got too close to Christmas, thinking I’d get them done ready to launch in Sept 2015.  I didn’t, so it would be nice to get this done in time for Christmas 2016.

Oscar's Bauble - Sarah Cryer Beadwork

 

Art Deco Needle Case

From my 2013 Stitch n Craft Challenge Chatelaine.  I think I even started buying supplies for the materials packs for this one!  This is the one I’m going to publish next, and the aim is to do it by the end of Feb.

Art Deco Needle Case - Sarah Cryer Beadwork

Triangles Bracelet

Not so sure about this one, it has many features that I’m proud of (such as the counter sunk catches in the second version), and I love the rounded spars of the hollow triangles.  I think this one may be changed to become part of a series of hollow geometrics, as I made a whole series of shapes a long while back which I’d like to write up and publish – to be honest the 3D ones maybe more interesting and unusual than this one?

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And another pieces which I think would work as a tutorial with a bit of tweaking:

CRAW Ring

This was initially started for an Etsy Beadweavers Challenge with the theme ‘Game of Thrones’, but wasn’t done in time, and although I’m pleased with the design, the execution was flawed (mainly because I used too light a thread) so it wasn’t suitable for sale in this incarnation.  It’s all 15 seeds, so not for the faint hearted but will I think evolve into a tutorial as it’s a nice wearable piece and useful for those looking to improve their CRAW and add some new CRAW shapes.  It includes slightly tricky steps (such as splitting the CRAW), but I think if I work on them a bit more I can come up with some teachable thread paths.  Perhaps I’ll do my working out in 8s rather than 15s though……

CRAW Ring - Sarah Cryer Beadwork