beading – Page 6 – The Indecisive Beader

Craft not chaos

The lovely people over at Folksy are running an alternative take on the Black Friday/Cyber Monday phenomenon called ‘Craft not Chaos’, with lots of gorgeous shops offering discounts today or over the weekend. So if you’re looking for gorgeous hand made gifts, toys, clothes, jewellery, furniture or just things that are generally lovely why not pop over and have a look here?

And I’m taking part by offering 10% off finished beadwork until Monday 30th, using the discount code BLACKFRIDAY. Because Folksy can only discount my whole shop, I’ve had to hide my tutorials and materials packs while the discount is in place, but beaders don’t panic, you can still buy them via my Etsy and PayHip shops, and they’ll be back on Folksy on Tuesday.

Kissing Piggies - Sarah Cryer Beadwork — Kissing Piggies – Sarah Cryer Beadwork

How not to succeed in beading……

All this talk of tape measures reminded me that I haven’t actually made one of my Baroque Tape measures since I released the pattern. So rather than finishing some more materials packs so other people could make them, I had a go myself. I’ve been wanting to do a more multicoloured version for ages, something a bit huicholly. So I pulled some beads, got the pattern up on the iPad, and started beading. It did not go well.
Changing colours this often just doesn’t work with this design – you loose the shapes formed between beads and by the beads themselves.

And even worse, I started the netting out of the wrong row of the peyote bezel, meaning the rivoli sticks out way too far, so all in all not good. Below you can see the ‘wrong’ version next to my later correct version – the rivoli bezel now forms part of the netted surround, rather than the surround looking like it’s been tacked on.

So that version was abandoned, I took an evening off to make those Materials Packs, and then I tried again. This time I paid more attention to my own instructions, thus avoiding the bezel error, and I changed seed bead colours only every two or three steps, rather than every step as before. And hopefully you will agree that this looks much better.

There were still a few things I’d forgotten since I’d done the original design:

Firstly, back then I didn’t use Fireline. Now I do, and it does noticeably alter my tension (to the extent that I’m actually thinking of stopping using it). This was worsened when I lost the reel I’d been using (small people move stuff), and grabbed another reel which turned out to be one of the faulty ones from a while back. So lesson learned – netting suits a thread with a bit of give, like the lovely Miyuki threads, and in addition, using a poor quality thread will slow you down and make a good finish all the more difficult. So use the best you can, all of the time. Throw the rest away so you won’t use it by mistake.

Secondly, I should have used a coloured thread that matched the tape measure – that way you can relax your tension without worrying about gaps between the beads exposing the thread, and the pattern will still work fine but be much more pleasurable to bead. Honestly, it’s all basic stuff………………

Thirdly, I ignored my own instructions to stop adding the firepolished beads when you get to the tape hole – I worked around it (just as I did in the early prototypes, before I worked out how to cope with the hole properly), but I’m annoyed with myself as it’s just not as good. Read the instructions woman!

Finally, I had a go at working with a messier bead tray – all my beads muddled up together instead of carefully kept in separate piles. This was partly because I’ve read a few articles recently discussing how different headers like to work, so I thought I’d try the mixed up way, and partly because unpicking the failed first side left me with muddled up beads anyway. This was not a good move – it drive me completely crazy, I hated not being able to just pick up the bead I needed, and as I had multiple sizes of the same colour out it led to mistakes. I am quite confident that it would have been quicker to re-sort the beads into piles first, as it really slowed me down. Never again.

I still need to add a beaded bead of some sort for the pull tab, so I’ll have a delve around my stash of previous work and interesting beads (I’m sure I have a red tea pot somewhere – not very Mexican but fun anyway). But it has been a very useful learning experience going back to it, and I have another one planned as a Christmas gift now (which will hopefully be a bit better).

Wings……

I’ve finished my latest Contemporary Geometric Beadwork influenced piece – a large pointy bangle. The idea with this piece was to work with the ideas from CGB, but for the first time to ignore their finished pieces and patterns and see where I ended up. I also wanted to work with a tube of sweepings from Stitch & Craft, to free myself up from the hours I tend to spend selecting colours!

I started with a MRAW band which I thought would be roughly the right size for a bangle (I was wrong – it was huge), then added some increases and decreases to form a zig zag. I beaded that for a while, then added some increases halfway along each side to start to form peaks which I thought I could join together to start to shrink the piece down and make it human (rather than elephant sized)! I planned to add some crystals to join the peaks together, but when I tried it they didn’t work, and left the piece a bit too wobbly. After some unpicking I decided to stick to delicas, joined the peaks and beaded across either side of the join to make continuous lines and curves, surrounding the whole piece with a dark magenta metallic outline.

At that point I decided the original MRAW band wasn’t sitting correctly – the alternating zigs and zags meant that it needed to point in different directions so I couldn’t turn it into a CGB skirt to firm up the shape and make it smaller. So that got unpicked from the inside out, and I added a couple of rows of peyote in fuchsia metallics, and the decreases sorted the sizing out.

So it’s all done, and available in my Etsy shop. It’s also my entry for the Etsy Beadweavers Team October Challenge – ‘Abstract Painting’. If you’ve got a moment pop over to our blog and have a look at the other entries (or search ‘EBWC’ on Etsy). And if you could take a few seconds to vote for your favourite we’d really appreciate it.

Beaded Bead 7

Wow, seven already. This is a variant on Bead 2, using smaller 4mm pearls, size 8 seeds and colour lined crystal 3.4mm drops which look very silly and lovely. I was actually intending to use lentils rather than the drops, which is why I deviated from my usual colour scheme but they simply didn’t work.

Recipe

4mm cerise glass pearls (picked up randomly on my beady travels)

Miyuki 3.4mm drops Hot Pink Lined Crystal (colour 23)

Galvanised Zest duracoat Miyuki 4205 size 8 seeds

Beaded Bead 4

And so to my stash of patterns. I sat down just after I started this project and looked through my various beading books, bookmarking all of the beaded beads I thought would fit in. And my, there are a lot. And then I turned to my digital library of beading magazines, and remembered that Beadwork had done a series of Beaded Beads a couple of years back. I tried some of them at the time, but didn’t have quite the right beads in my stash, and have had more success this time. I’m not going to do the whole set of 5 (as this is a stash only project and I don’t think I’ve got all of the larger beads needed for some of them), but here’s the first one anyway.

Cluster Beaded Bead - Gwen Fisher - Beaded by Sarah Cryer Beadwork — Cluster Beaded Bead – Gwen Fisher – Beaded by Sarah Cryer Beadwork

It’s from the April/May 2012 Beadwork Magazine, and is by Gwen Fisher – Cluster Beaded Bead. It’s a super one, goes together really nicely and quickly. I don’t tend to have many 8mm rounds knocking around though, so I will need to order some more if I want to repeat this one.

Recipe

8mm rounds – Neon Purple (BeadsofBohemia)

3mm Fire polished – I substituted 3mm rounds, Neon Ocean Blue Matt (Robin’s Beads)

15 & 11 seeds – Miyuki 1051 Galvanised Silver

8 seeds – Miyuki 356 Purple lined Amethyst AB

Tips

None really, nice pattern, clear instructions. I mainly worked off the illustrations rather than the written out steps, which is normal for me, but the steps seem clear if you’re more comfortable with those.

This has inspired and helped me with Beaded Bead 6, although I see now looking at the diagrams again that I used a significantly different thread path and set of steps for Bead 6, even though I thought I was doing something similar………..

Beaded Bead 6

The eagle eyed among you will have noticed that this isn’t exactly running in order – that’s because some of the beaded beads are easier to blog about than others. For example beads 4&5 are photographed, but I need to pull out the references and links needed to give the designers proper credit. Bead 6 is one of mine so less digging needed.

Bead 6 is actually a set of samples which will hopefully evolve into a new tutorial – not quite there yet, as in samples 1 & 2 there’s a size 11 placement which annoys me, and the spikes in sample 3 are rather wobbly. But I will persevere.

Sample 1 was born of beading lots of different beaded beads, and getting one of the possible structures so stuck into my brain that I had to try it in spikes. It uses 12 spikes, woven into a kind of a cube with trios at the corners. At least I think it is – looking at the finished ones I’m no longer sure (best take some step by step photos of sample 4).

Sample 2 uses gumdrops (they are often interchangeable with standard size spikes as they have the same size base – 7mm). It switches to 11s from 15s in some places, but as you can see above still has 11s in the trios and they don’t sit right.

And sample 3 is back to spikes to try and iron out some flaws in 1&2 by just using 15s. Still not right though, the spikes are more wobbly than 1. One more combination left to try I think……..

Anyway, no recipe yet or tips since you can’t try this one at home, but bear with me and it will emerge eventually as a tutorial.

Beaded Bead 3

I think this is actually my favourite so far – simple, striking and a great way to understand the geometry of beaded beads. I used a free tutorial from Spirala Beading called Zuzana, and will be making more just as soon as I can get my grubby hands on some more pinch beads.

Recipe

90 pinch beads – Matte Watermelon (from Spoilt Rotten Beads)

1g size 8 seeds – 1052 Galvanized Silver (Stitch N Craft)

12 size 15 seeds – 1052 Galvanized Silver (Stitch N Craft)

12 O beads – Haematite (Robins Beads)

A wooden core bead, I’d guess at 20mm but unfortunately didn’t measure it……sorry.

Zuzana by Spirala Beading - beaded by Sarah Cryer Beadwork — Zuzana by Spirala Beading – beaded by Sarah Cryer Beadwork

Tips

If you have two colours, use them. If you don’t have two colours, wait until you do. Whilst it is possible to do this in one colour (I did), it is infinitely simpler if you can see the five beads which surround each 5 pointed star clearly. By all means switch to a single colour once you’ve had some practice – these are nice & quick to do so it won’t take you long to progress.
Hold your nerve – it’s a bit of a floppy mess even with the core bead in, but the simple embellishment suggested pulled everything together perfectly.
You may need to try a couple of different sizes of core bead.
Once you’re done beading, roll the bead around between your hands a few times. This will make the trios of pinch beads which need to sit with a flat side against the core bead turn and lock into place, and is much easier than trying to force them round with a needle!

Now I just need an excuse to order some more pinch beads – and guess what, Ivona, who runs Spirala Beading also has a lovely Etsy shop selling lots of fantastic beads, including a huge range of pinch beads – Beads of Bohemia. What luck!

Secret Beadalong – days 6&7

So, I finished my rope a little late (a couple of days), but then realised the catch I’d planned to use was too fat, and the components wouldn’t have slid on or off the rope over it. Given the way it was designed, I assume Jean means this to be an adaptable piece – wear one, three, all none of the bezelled rivolis as you please. For that to work the catch either has to be removable (which a simple s clasp with loops would b), or small enough that the components can slide.

So, not the right clasp then. As we were away I had to wait until we returned to my stash to dig out a tiny magnetic clasp that will allow the components to slide on and off, and hey presto we’re done.

National Beading Week 2015 Secret Beadalong - designed by Jean Power, beaded by Sarah Cryer Beadwork — National Beading Week 2015 Secret Beadalong – designed by Jean Power, beaded by Sarah Cryer Beadwork

Many thanks to Jean for a lovely project and for the phenomenal amount of admin she’s had to put in as a victim of her own success. And to all the beaders worldwide, it’s been fab – let’s hope someone is brave enough to do this next year!

Beaded Bead 1

So I had another go at beaded bead pattern number 1 – Conway Beaded Bead by GwenBeads. And then a few more goes, and finally I’ve got one finished. Actually I’ve finished two, but the first one is not good so will be fragged………..Interestingly I found this pattern quite challenging, possibly because conceptually it is actually quite simple, and as I was tired I struggled to maintain the absolute accuracy it demands. An single extra thread pass in the wrong place can mean this one doesn’t work, and as the internal structure is all seeds, rather than building on base of larger beads, it is a bit of a nightmare to unpick if you make an error and don’t discover it for a while. Looking on the bright side, my sister Susie Hoad (BeadingBySusie) churns these out in a couple of hours, seemingly without any effort, so I think once I’ve made as many as she has (which is quite a few) I should get the hang of it.

Conway Beaded Bead - Gwen Fisher, beaded by the Indecisive Beader — Conway Beaded Bead – Gwen Fisher, beaded by the Indecisive Beader

Anyhow, the pattern is by Gwen Fisher of Bead Infinitum fame, and was my first introduction to prismatic RAW (PRAW). On reflection this was quite a tricky one to start with – I might have been better with something like her fun looking Tentacle bangle or the Daisy Chain bangle rather than the full on 3D experience.

Tips

It says ‘advanced’ on the blurb, it means it!
And you definitely need to understand the structure of a dodecahedron (and constantly check you’re doing 5 sided units, it’s very easy to loose count).
And don’t use colour lined crystal beads for your first go as they seem to confuse the eye – I’d go for something matte (to help you manage the tension), for a good contrast between the 8s and 11s in the structure colourwise to help you see what you are up to, and nothing too dark as you will be working inside the structure a bit.
Like any embellished RAW, CRAW or PRAW you should maintain a medium tension for the base – too loose and you’ll get an uneven finish, too firm and you won’t be able to add the embellishment. My first version, as well as containing a couple of mistakes, was as usual too firm and I’ve struggled to get an even outer finish. It will be unpicked and redone soon………..

Susie says that this works well in 6s and 8s, and whilst I wouldn’t recommend them for a first go (as maintaining any kind of tension in RAW or netting with 6s is impossible), I’m definitely going to try them next. She also builds out on the embellishment step using twin holed beads of various types, which helps alleviate my slight reservation about the small size of the finished bead (for all that work I’d like something about half as big again – the 11 and 15 version is under an inch in diameter). And Susie has already tried out lots of colours and embellishments, so have a look at her Facebook piccies of them here for inspiration. Very kindly Gwen allows limited commercial use, so I may even be able to sell a few as pendants when I finally get the hang of it and get the completion time down. Overall a very interesting advanced pattern.

Secret Beadalong – colours

One of the wonderful things about the Beadalong is seeing all of the different colourways. It’s unusual to be exposed to so many interpretations of the same design so quickly, and it’s been fascinating looking at the different approaches we all take. Some of us chuck as many colours as possible in, others focus on their favourite colour and use different tones, and others pop a single colour as a highlight with neutrals. For me, as a bright beader, it’s been lovely seeing some really outrageous combinations, but I’ve also become drawn to some of the more sophisticated palettes. I think my next delica project might be done in matte steel, with some antique gold – classic with a twist, and perhaps more wearable than lime, orange, scarlet and fuchsia…..?

Anyway, a few people have asked me to post my bead details so here you are. Seeds and delicas are all Miyuki & from Stitch N Craft (of course):

Rivolis – Chinese ‘Volcano’ from Southampton Bead Shop. I don’t normally buy cheaper rivolis but the colour on these is unique. They are a bit fat, so you need to adapt the pattern (one extra row of delicas did it here), and I don’t use them for my own patterns and materials packs because of that.

Delicas – 1835 Duracoat Galv Zest; 45 Silver lined Orange; 683 Dyed Semi Frosted Silver lined Red Orange; 422 Galv Fuchsia

Seeds – 11 – 4205 Duracoat Galv Zest

Seeds – 15 – 4205 Duracoat Galv Zest; 1310 Dyed Trans Fuchsia

Crystals 3mm – Swarovski Fuchsia

Pearls/Rounds – 2mm Scarlet Czech Rondelles. Not a clue where they came from!!

And as for the next step, I’d guess I still need another 18g or so of delicas, so I may have to make up a mix from my stash (I’m only using stash beads for this and I won’t have enough in a single colour by a long way), or come up with a way to use multiple colours once I know what we’re doing.